The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
Population-Based Data and Community Empowerment Janet Smylie, Aisha Lofters, Michelle Firestone, and Patricia O'Campo Contents 4.1 Introduction: Social Exclusion and Population Data Systems.......................................... 68 ...
Thompson , G. , Francis , J. and Mitchell , J. ( eds ) ( 1991 ) Markets , Hierarchies and Networks : The Co - ordination of Social Life . London : Sage . ... Tilley , C. ( 1984 ) Big Structures , Large Processes , Huge Comparisons .
British Political Drama in the 1990s. Basingstoke, Palgrave Macmillan. Edgar, David. (1988) Second Time as Farce: Reflections on the Drama of Mean Times. London, Lawrence and Wishart. Elsom, John. (1981) Post-War British Theatre ...
Winner of the SAMLA Studies Award Honorable Mention for the MLA William Sanders Scarborough Prize From the 1880s to the early 1900s, a particularly turbulent period of U.S. race relations, the African American novel provided a powerful ...
E. O. Wilson and W. L Brown, “The Subspecies Concept and Its Taxonomic Application,” Systematic Zoology 2, no. 3 (1953): 97–111. Carleton S. Coon with Edward E. Hunt Jr., The Living Races of Man (New York: Alfred A. Knopf, ...
... of Puppetry (New York: Macmillan, 1955); and John Bell, “New York Puppet Modernism: Remo Bufano and Jane Heap,” in American Puppet Modernism: Essays on the Material World in Performance (New York: Palgrave Macmillan, 2008), 71–96.
This volume draws on the work of international scholars from diverse perspectives to provide a timely, focused debate on the future of realist theory in international relations.
... in 1947–48 at the Barnett-Arden Gallery in Washington, D.C. She married Mexican muralist Francisco Mora in 1947 (after divorcing African American artist Charles White, whom she met in Chicago) and 102 beyond the migrant mother.
Frederick Vanderbilt Field was a grandson of Cornelius Vanderbilt. ... S. Embassy, Mexico City, 1956–58, Classified, Box 4. NARG 84. File: “Communists in Mexico,” 350.21. See also Albert Maltz, letter to Charles Humboldt, November 22, ...
Following The Conjure Woman's publication, Booker T. Washington urged Chesnutt to seize the golden opportunity to create sympathy throughout the country for our cause through the medium of fiction. Joel Chandler Harris [white author of ...