This impassioned history tells a story of censorship and politics during the early Cold War. The author recounts the 1950 Empire Zinc Strike in Bayard, New Mexico, the making of the extraordinary motion picture Salt of the Earth by Local 890 of the International Union of Mine, Mill, and Smelter Workers, and the film's suppression by Hollywood, federal and state governments, and organized labor. This disturbing episode reflects the intense fear that gripped America during the Cold War and reveals the unsavory side of the rapprochement between organized labor and big business in the 1950s. In the face of intense political opposition, blackballed union activists, blacklisted Hollywood artists and writers, and Local 890 united to write a script, raise money, hire actors and crews, and make and distribute the film. Rediscovered in the 1970s, Salt of the Earth is a revealing celluloid document of socially conscious unionism that sought to break down racial barriers, bridge class divisions, and emphasize the role of women. Lorence has interviewed participants in the strike and film such as Clinton Jencks and Paul Jarrico and has consulted private and public archives to reconstruct the story of this extraordinary documentary and the coordinated efforts to suppress it.
7–13; see also Lorence, Suppression of “Salt of the Earth,” 20–21, 217–18n3. 26. Monroy, “Fence Cutters,” 33, 31–32; see also Garcia, Mexican Americans, 227; Mon- toya interview, PSU-HCLA. 27. Jencks to Lorence, Mar.
See the following studies of the film: James J. Lorence, The Suppression of Salt of the Earth: How Hollywood, Big Labor and Politicians Blacklisted a Movie in Cold War America (Albuquerque: University of New Mexico Press, 1999); Wilson ...
Cargill, “Empire and Opposition,” 189; Weinberg, “Salt of the Earth,” 41; Lorence, The Suppression of Salt of the Earth, 25–26; Baker, On Strike and on Film; Camacho, Migrant Imaginaries, 121–122. 16. Baker, On Strike and on Film, ...
Although the boycott suppressed a film once intended to break the blacklist , the Salt of the Earth story constitutes an important chapter in the history of American civil liberties , and the film documents the resistance to conformity ...
Davis , Elmer , 180 Davis , George W. , 311 , 314 Davis , Jim , 263 , 286 , 300 Davy Crockett , King of the Wild ... 142 , 189–191 , 190 Creature Walks Among Us , The , 190 Creswell , Frank , 188 Crimson Pirate , The , 107 Cripps ...
Lorence, Suppression of Salt of the Earth, . James J. Lorence, Palomino: Clinton Jencks and Mexican-American Unionism in the American Southwest (Urbana: University of Illinois Press, ). Lorence, Suppression of Salt of the Earth, –.
By combining the study of films with the text-based primary sources, Screening America gives students clear guidance in studying, interpreting, and understanding the motion picture's significance as a primary source in investigating U.S. ...
Mexico Press , 1999 ) ; and Deborah Silverton Rosenfelt , Salt of the Earth : Commentary ( New York : Feminist Press ... and the Art of Subjectivity ; " Lorene , Suppression of Salt of the Earth ; Esteve Riambau and Casimiro Torreiro .
... 67 Tian Yuan , 26 , 31 Tilly , Charles , 10 , 11 , 14 Transcounty Saltmakers ' Association , 166-67 Treaty of Shimonoseki , 51 Triprovincial Hebei - Shandong - Henan Salt Suppression Committee , 74-75 Truman , Harry S. , 303 Tsao ...
Rosenthal, Alan, The New Documentary in Action: A Casebook in Filmmaking, Berkeley: University of California Press, 1971. Rotha, Paul, Documentary Film, London: Faber and Faber, 1952 (revised 1963, 1968).