Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented{u2014}figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.
The Robert Lehman Collection: Volume 5, Italian Fifteenth- to Seventeenth-Century Drawings
Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert...
Many of the best draughtsmen of the Italian Renaissance are represented in this volume, which describes and reproduces 293 drawings of the fifteenth and sixteenth century from the extensive collection of Italian drawings in The Metropolitan ...
Metropolitan Museum of Art (New York, N.Y.), Jacob Bean, Lawrence Turčić. Pillsbury, I978 The Graphic Art of Federico Barocci, exhibition catalogue by Edmund P. Pillsbury and Louise S. Richards, The Cleveland Museum of Art and Yale ...
This book breaks new ground in the area of Renaissance material culture, focussing on the marketplace in its various aspects, ranging from middle-class to courtly consumption and from the provision of foodstuffs to the acquisition of ...
Although the almost instant success of the Museum of Modern Art after its founding in 1929 might have obviated the need for contemporary art at the Metropolitan, the Museum's trustees were quick to realize that their new sister ...
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Penny, Nicholas, 2008, The Sixteenth Century Italian Paintings, Volume II: Venice 1540–1600, National Gallery Catalogues (London: National Gallery). Perdigão, José de Azeredo, 1969, Calouste Gulbenkian, Collector, trans.
Nationalmusei årsbok, n.s. 14–15 (1944–1945): 155–160. ... 5, Italian Fifteenth- to Seventeenth-Century Drawings. ... Italian Paintings 1250 – 1500 in the Johnson Collection and the Philadelphia Museum of Art. Philadelphia, 2004.
After George Blumenthal, the president of the Museum, --~~~ - o presented the trustees' report on the transactions of the year 1940, Francis Henry Taylor, the new director, spoke about the Museum's activities.