The Spectator: Emerging Discourses brings together a distinguished coterie of international scholars who take a fresh look at this influential eighteenth-century English periodical. Taking advantage of the insights provided by such critical perspectives as new historicism, postcolonialism, psychology, postmodernism and cultural studies, and by such theorists as Michel Foucault and Jurgen Habermas, the scholars represented herein offer new insights into The Spectator's relation to the changing society that influenced it-and that it in turn influenced.
Wallace Stegner was the author of, among other works of fiction, Remembering Laughter (1973); The Big Rock Candy Mountain (1943); Joe Hill (1950); All the Little Live Things (1967, Commonwealth Club Gold Medal); A Shooting Star (1961); ...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
The theorists of art and film commonly depict the modern audience as aesthetically and politically passive.
... 159, 174 Sistine Chapel, 202–05, 209, 244, 247, 250, 254 Cosimo Rosselli, Moses on Mount Sinai, 2O6 Michelangelo, ... 66 IND EX Ronsard, Pierre de, 1 14 Roselli, Piero, 168 Rosenauer, Artur, 7, 13, 28 Rossellino, Antonio Madonna, ...
This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns.
tion with the effects of these ruptures in society. Specifically, the literature of realism served as a link to and vehicle for social change. By presenting realistic depictions of American life, writers aimed to enlighten readers about ...
This groundbreaking work in gender and performance, with a new introduction and updated bibliography
His own position is a combination of Stoic and Christian values. There is a substantial difference between the first five editions of the Moral Sentiments and the sixth.
Selections from the Tatler and the Spectator of Steele and Addison
9 Carter and Goldthwaite, Orpheus in the Marketplace, 105–6; Treadwell, Music and Wonder at the Medici Court. 10 On Venetian opera's political purposes and social agendas, see Feldman, Opera and Sovereignty. 11 Carter and Goldthwaite, ...