This book examines different forms and practices of queer media, that is, the films, websites, zines, and film festivals produced by, for, and about lesbian, gay, bisexual, transgender, and queer (LGBTQ) people in China in the first two decades of the twenty-first century. It traces how queer communities have emerged in urban China and identifies the pivotal role that community media have played in the process. It also explores how these media shape community cultures and perform the role of social and cultural activism in a country where queer identities have only recently emerged and explicit forms of social activism are under serious political constraints. Importantly, because queer media is ‘niche’ and ‘narrowcasting’ rather than ‘broadcasting’ and ‘mass communication,’ the subject compels a rethinking of some often-taken-for-granted assumptions about how media relates to the state, the market, and individuals. Overall, the book reveals a great deal about queer communities and identities, queer activism, and about media and social and political attitudes in China.
Charts a new wave of feminist and queer media activism in post-millennial China Digital Masquerade offers a trenchant and singular analysis of the convergence of digital media, feminist and queer culture, and rights consciousness in China.
This book analyses queer cultural production in contemporary China to map the broad social transformations in gender, sexuality and desire.
The New Documentary Movement's social critique is mostly derived from the postsocialist conditions that ... As a periodizing concept, a socioeconomic condition, and a cultural logic, postsocialism registers the perception and affects of ...
This book brings together some of the most exciting, original and cutting-edge work being conducted on contemporary queer China.
Queer/Tongzhi China: New Perspectives on Research, Activism and Media Cultures
This very timely, well-written and insightful exploration of gay identity & queer activism in the PRC today is more than a study of `queer China' through the lens of male homosexuality; it also examines identity, power and governmentality ...
This book documents various forms of queer performance – including music, film, theatre, and political activism – in the first two decades of the twenty first century.
In Queer Chinese Cultures and Mobilities, John Wei brings light to the germination and movements of queer cultures and social practices in today’s China and Sinophone Asia.
Taking “queer” as a verb, an adjective, and a noun, this volume counters the Western-centric conception of homosexuality as the only way to understand nonnormative identities and same-sex desire in the Chinese and Sinophone worlds.
This book complements existing perspectives on sexual and gender diversity, contemporary China, and the politics and theories of justice, recognition, and similitude in global times.