"This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity. Around 1720, Daniel Defoe's fictional autobiographies spark continuations and imitations, and in the 1740s, with Samuel Richardson and Henry Fielding's novels begin what is perceived as "a new kind of writing." By the end of the period, with Jane Austen and Walter Scott, the novel has not only come into existence, it has developed into a more-or-less respectable genre, and in fact publishers have begun to issue series of novels (edited by Walter Scott and by Anna Barbauld, among others) that establish for that time, if not necessarily for ours, a canon of the English novel. With the decline of the English drama and the almost complete eclipse of the epic, the novel has become by default the serious literary long form, on its way to becoming by the mid-nineteenth century, with Dickens, Thackeray, and Eliot, the pre-eminent genre of literature. This chapter will consider how and why the novel came to be when it did"--
Re-Reading the Eighteenth-Century Novel adds to the dynamically developing subfield of reception studies within eighteenth-century studies.
In this fascinating and vivid history, Abigail Williams explores the ways in which shared reading shaped the lives and literary culture of the eighteenth century, offering new perspectives on how books have been used by their readers, and ...
If Henry Brooke and Ann Radcliffe are converts to Lavater, Jane Austen occupies the opposite camp. Jane Austen grew up when Lavater was in his heyday, and physiognomy must have been a frequent subject of discussion in the Austen family.
This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.
Smith, Charlotte Turner. The Young Philosopher: a Novel. London: 1798. Eighteenth Century Collections Online. Gale. Smith, George. A Compleat Body of Distilling, Explaining the Mysteries of that Science, in a Most Easy and Familiar ...
David Worrall, Harlequin Empire: Race, Ethnicity and the Drama of the Popular Enlightenment (London: Pickering & Chatto, 2007), 23–55. Allardyce Nicoll, The Garrick Stage: Theatres and Audience in the Eighteenth Century, ed.
Lewis White Beck, “World Enough, and Time” in Probability, Time, and Space in Eighteenth-Century Literature, ed. Paula R. Backscheider (New York: AMS Press, 1979), 114. 4. For Hutcheson's utilitarianism, see Stephen Darwall, ...
Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested ...
Eve Tavor Bannet explores guides to six manners or methods of reading, each with its own social, economic, commercial, intellectual and pedagogical functions, and each promoting a variety of fragmentary and discontinuous reading practices.