At the performance turn, this book takes a fresh 'how to' approach to Practice as Research, arguing that old prejudices should be abandoned and a PaR methodology fully accepted in the academy. Nelson and his contributors address the questions students, professional practitioner-researchers, regulators and examiners have posed in this domain.
Ideology and curriculum ( 2nd ed . ) . ... Art and visual perception : A psychology of the creative eye ( Rev. ed . ) . ... action . New York : Teachers College Press . Banks , M. ( 2001 ) . Visual methods in social research .
Smith, H. and R. T. Dean (1997), Improvisation, Hypermedia and the Arts Since 1945, London and New York: Harwood Academic. Smith, H. and R. T. Dean (2001), 'The egg, the cart, the horse, the chicken', infLect: A Journal of Multimedia ...
These “rituals of resistance”, as Stuart Hall, the doyen of British cultural studies, christened them (Hall and Jefferson 1975/2006), might be found in a youth generational revolt; in feminist, ecological and other social movements; ...
Practice As Research
Practice-as-Research: In Performance and Screen presents a thoroughgoing exploration of the major fissures of established knowledge created by a new trans-disciplinary, worldwide project for the twenty-first century. Focussing on the...
This text introduces readers to definitions and examples of arts-based educational research, presents tensions and questions in the field, and provides exercises for practice.
... J., Shrimpton, B. and Fitzpatrick, A. (2010) Framing Marginalised Art, Parkville, Victoria, Australia: Custom Book Centre/Cunningham Dax Collection. www.daxcentre.org/wpcontent/uploads/2012/02/FramingMarginalisedArt.pdf Phelan, ...
The imperfect art. New York: Oxford University Press. Hebdige, D., 2001. Even unto death: improvisation, edging and enframement. Critical Enquiry 27, pp. 333–353. ... Improvisation, hypermedia and the arts since 1945. London: Routledge.
Spanning the gulf between academia and practice, this useful book will inform and inspire researchers by showing readers why, when, and how to use creative methods in their research. Creative Research Methods has been cited over 500 times.
This volume explores the issue of collaboration: an issue at the centre of Performance Arts Research.