Balnaves, Mark and Tom O'Regan. 2012. Rating the audience: the business of media. Gordonsville: Bloomsbury. Barker, Martin (ed). 1984. The video nasties: freedom and censorship in the media. London: Pluto Press. Barker, Martin. 2006.
This is a state-of-the-art textbook, which provides students with the critical tools they need in order to evaluate existing research, and to undertake their own.” David Buckingham, Institute of Education, London “The book is important ...
The goal of the text is for students to be able to think critically about the role and status of media audiences in contemporary society, reflecting on their relative power in relation to institutional media producers.
Taking a similarly long view of history, Anderson's (1991) explanation of how the introduction of print capitalism created conditions that facilitated the emergence of the nation state shows that the management of mass audiences can be ...
These projects showed that asking audience members to engage in a process which requires some time and reflection ... and media researchers were starting to see what happened when “audiences” were given the opportunities and tools to ...
Exploring key areas relating to media, power and cultural identity, this study looks at the effects of the media in Ireland, first radio, then television, and now the newer media.
Jansen, S. C. (2008). Walter Lippmann, straw man of communication research. In D. W. Park & J. Pooley (Eds.), The history of media and communication research: Contested memories (pp. 71–112). New York, NY: Peter Lang. Jowett, G. (1976).
Studying. Digital. Media. Audiences. Although many digital platforms continue to appropriate and reconfigure familiar forms of media experience, this is an environment which no longer consistently constructs an identifiable 'mass' ...
An important aspect of this process is the way that the structures and practices of the virtual audience formation are ... monomaniacal alienation characteristic of the old fashioned geek into a means of 200 Media Audiences and Identity.
Napoli explores the interplay between political and economic interests in the audience marketplace and their effect on audience evolution.
The book discusses reactions of audiences to such internationally known television program as The Flintstones, The Jetsons, Street Fighter, Mighty Morphin Power Rangers, X-Men, Sesame Street, Dallas, Star Trek, The Cosby Show, Teenage ...