An approachable guide to Shakespeare on film, this book establishes the differences between stage and screen. It covers the history of Shakespeare on the screen since 1899, and discusses various modes and conventions of adaptations. Thoroughly updated to include the most recent films, for instance Joss Whedon's 2013 Much Ado About Nothing, it also explores the latest technology, such as DVD and Blu-ray, as well as live stage-to-screen productions. It also includes an exclusive interview with filmmaker John Wyver, discussing his own adaptations for the small screen.
18 See Michael A. Morrison, John Barrymore, Shakespearean Actor (Cambridge, 1997), p. 269. I am indebted in this section to Morrison's work on Barrymore in Hollywood, pp. 259–96. 19 Heywood Brown, 'Mr Shakespeare, Meet Mr Tyson', ...
Written with verve and insight by an award-winning teacher and scholar, Shakespeare and Film: A Norton Guide is the ideal introduction to film adaptations of Shakespeare's plays from the silent era tot the present.
Marcel Rosenblatt's antic Puck also confirms the post - modernist understanding of the dream as always on the edge of a nightmare . Far away from Central Park in Johannesburg , South Africa , former RSC actress Janet Suzman , herself a ...
One of In the Bleak Midwinter's naggingly implicit questions – and one in which it is absolutely enmeshed – is the ... In the Bleak Midwinter cannot rely on the entertainment value of the play itself, and it is only a belief in this ...
Shakespeare, The Movie brings together an impressive line-up of contributors to consider how Shakespeare has been adapted on film, TV, and video, and explores the impact of this popularization on the canonical status of Shakespeare.
Following on from the phenomenally successful Shakespeare, The Movie, this volume brings together an invaluable new collection of essays on cinematic Shakespeares in the 1990s and beyond.
Shakespeare The Movie II : Popularizing the Plays on Film , TV , Video , and DVD . Eds . Richard Burt and Lynda E. Boose . London : Routledge , 2003. 14-36 . " U.S. Television : Introduction , Televising Shakespeares .
Lively and up-to-date critical introductions to a rich range of Shakespeare adaptations for film, video and television.
frontal viewpoint, and, through editing and camera moves, mandates how the action will be seen.11 The Restoration stage, or the generalization of the decorated set In 1660, with the Restoration, English theatres reopened.
Particular attention is given to the work of Olivier, Zeffirelli and Kurosawa, and to the BBC Television series. In addition the volume includes a survey of previous scholarship and an invaluable filmography.