Music, magic and myth are elements essential to the identities of New Orleans musicians. The city's singular contributions to popular music around the world have been unrivaled; performing this music authentically requires collective improvisation, taking performers on sonorous sojourns in unanticipated, 'magical' moments; and membership in the city's musical community entails participation in the myth of New Orleans, breathing new life into its storied traditions. On the basis of 56 open-ended interviews with those in the city's musical community, Michael Urban discovers that, indeed, community is what it is all about. In their own words, informants explain that commercial concerns are eclipsed by the pleasure of playing in 'one big band' that disassembles daily into smaller performing units whose rosters are fluid, such that, over time, 'everybody plays with everybody'. Although Hurricane Katrina nearly terminated the city, New Orleans and its music—in no small part due to the sacrifices and labors of its musicians—have come back even stronger. Dancing to their own drum, New Orleanians again prove themselves to be admirably out of step with the rest of America.
What I'm trying to do is come up to the standards all those trumpet giants have set - Armstrong , Gillespie , Navarro , Brown , Miles , Freddie Hubbard , and Don Cherry . And that's not an easy task.is The question of influences stalks ...
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For instance, sometimes playing with Dave, we had a lot of balls and we'd get the stock music that you'd go down to the store and buy, you know, ... You put music in front of [Nelson] and it didn't mean anything to him, really.
284 (Nov 2013): 26. GEORGE A. MOONOOGIAN Obituaries: BM395. Kochakian, Dan; Goldberg, Marv; LeBlanc, Eric; Watson, Tony. “Obituaries: George A. Moonoogian.” Blues & Rhythm no. 277 (Mar 2013): 12. AARON MOORE BM396. Fontenot, Robert.
Grace Lichtenstein and Laura Dankner, Musical Gumbo: The Music of New Orleans (New York: W. W. Norton, 1993), 72–79; John Broven, Rhythm and Blues in New Orleans (Gretna, La.: Pelican, 1978), 105. 60. Scherman, Backbeat, 84–85; Broven, ...
"Music is the memory of New Orleans. For all of the corruption, poverty and violence, the music is elemental, a gorgeous collective chorus to the best instincts of the human...
New Orleans Rhythm and Blues After Katrina: Music, Magic and Myth. Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan, 2016. Vail, Ken. Miles' Diary: The Life of Miles Davis 1947–1961. London: Sanctuary Pub., 1996.
eccentric and difficult; the model Beverly Johnson later said, “[Luna] doesn't wear shoes winter or summer. Ask her where she's from—Mars? She went up and down the runways on her hands and knees. She didn't show up for bookings.
The sounds of Louisiana : twenty essential music makers / by Roger Hahn ; illustrated by Chris Osborne. pages cm Includes bibliographical references. ISBN 9781455621026 (pbk. : alk. paper) — ISBN 9781455621033 (e book) 1.
Barbara Ayres, 'Effects of Infant Carrying Practices on Rhythm in Music', Ethos 1/4 (1973), pp. 387–404 (p. 19 400). Michael Urban, New Orleans Rhythm and Blues after Katrina: Music ...