Ewan James Jones argues that Coleridge engaged most significantly with philosophy not through systematic argument, but in verse. Jones carries this argument through a series of sustained close readings, both of canonical texts such as Christabel and The Rime of the Ancient Mariner, and also of less familiar verse, such as Limbo. Such work shows that the essential elements of poetic expression - a poem's metre, rhythm, rhyme and other such formal features - enabled Coleridge to think in an original and distinctive manner, which his systematic philosophy impeded. Attentiveness to such formal features, which has for some time been overlooked in Coleridge scholarship, permits a rethinking of the relationship between eighteenth-century verse and philosophy more broadly, as it engages with issues including affect, materiality and self-identity. Coleridge's poetic thinking, Jones argues, both consolidates and radicalises the current literary critical rediscovery of form.
Coleridge, Samuel Taylor. A Lay Sermon. Lay Sermons. Ed. R. J. White. Princeton, NJ: Princeton UP, 1972. 115–230. Vol. 6 of The Collected Works of Samuel Taylor Coleridge. 16 vols. 1969–2001. Coleridge, Samuel Taylor.
Probes the nature of linguistic or symbolic action as it relates to specific novels, plays, and poems
Blake contemplates the duty of the poet, choosing Milton as his great example, to render eternity for his reader. Frye notes that 'Milton opens with a ... 74 Quinney, William Blake on Self and Soul, p. 138. 75 See Blake, Blake's Poetry ...
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Coleridge, Samuel Taylor. Biographia Literaria or Biographical Sketches of my Literary Life and Opinions. Edited by James Engell and Walter Jackson ... Coleridge and the Philosophy of Poetic Form. Cambridge: Cambridge University Press, ...
But where I begin to diverge from O'Neill is in attaching more weight to the importance of philosophical thought in ... 60 Ewan James Jones, Coleridge and the Philosophy of Poetic Form (Cambridge: Cambridge University Press, 2014), p.
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This tendency of quotation is evident in Coleridge's philosophical writings. In Aids to Reflection, for instance, ... 21 Ewan Jones, Coleridge and the Philosophy of Poetic Form (Cambridge: Cambridge University Press, 2014), 6.
Yet it is not only in terms of their objectives that Coleridge distinguishes between poetry and philosophy: a further difference – at the level of form – is inescapable. Coleridge attempts to incorporate the opposition between prose and ...
This book challenges that concept by viewing them from an entirely new perspective as poets who were continuing an eighteenth-century 'organic' tradition.