"Using Euripides' play, Helen, as the main point of reference, C.W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides' play draws extensively on the satyr play Proteus, which was part of Aeschylus' Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides' Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen"--
Shakespearian Tragedy
The Unnatural Scene: A Study in Shakespearean Tragedy
Shakespeare's tragedies contain an astonishing variety of suffering, from suicides and murders to dismemberments and grief. Stanley Wells considers how the bard's tragic plays drew on the literary and theatrical conventions of his time.
The plays here--Hamlet, Othello, King Lear, and Macbeth--are considered to be the four central works of Shakespearean tragedy and must be included in any list of the world's finest tragic literature.
Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth
This edition features an introduction which discusses the definition and nature of tragedy.
... Les Compagnies de la Propagation de la foi ( 1632-1685 ) . Paris , Grenoble , Aix , Lyon , Montpellier . 2000 ISBN : 2-600-00425-4 17. Marc VUILLERMOZ , Le Système des objets dans le théâtre français des années 1625-1650 .
The Tragedy of Hamlet: Prince of Denmark
By examiningthe tragic novels of Thomas Hardy on their own terms, we have an importantcounterpoint to Balthasar's argument that the novel is too prosaic fortheological reflection.
In this collection of essays, eminent Shakespearean scholars examine ten of these tragedies through a variety of postmodern frameworks: historical, linguistic and psychoanalytical.