The Chinese Impact upon English Renaissance Literature examines how English writers responded to the cultural shock caused by the first substantial encounter between China and Western Europe. Author Mingjun Lu explores how Donne and Milton came to be aware of England’s participation in ’the race for the Far East’ launched by Spain and Portugal, and how this new global awareness shaped their conceptions of cultural pluralism. Drawing on globalization theory, a framework that proves useful to help us rethink the literary world of Renaissance England in terms of global maritime networks, Lu proposes the concept of ’liberal cosmopolitanism’ to study early modern English engagement with the other. The advanced culture of the Chinese, Lu argues, inculcated in Donne and Milton a respect for difference and a cosmopolitan curiosity that ultimately led both authors to reflect in profound and previously unexamined ways upon their Eurocentric and monotheistic assumptions. The liberal cosmopolitan model not only opens Renaissance literary texts to globalization theory but also initiates a new way of thinking about the early modern encounter with the other beyond the conventional colonial/postcolonial, nationalist, and Orientalist frameworks. By pushing East-West contact back to the period in 1570s-1670s, Lu’s work uncovers some hitherto unrecognized Chinese elements in Western culture and their shaping influence upon English literary imagination.
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The Chinese Renaissance
Maximillian E. Novak and Anne Mellor (London: Associated University Presses, 2000), 64. 9. André Gunder Frank, ReOrient: Global Economy in the Asian Age (Berkeley: University of California Press, 1998), 7. 10.
to “ such of His Majesty's British Subjects as shall in the Opinion of the Royal Society , make ( from the Hints in this Description of China ) the best and most useful Improvements in any beneficial Branch of Art ” ; he had proposed ...
This volume of essays deals with the reception of Western literature, on the evidence of translations made.
This unique collection of essays examines the complex significations of 'Asia' in the literary and cultural production of Early Modern England. Contributors come from a range of backgrounds to bring a range of perspectives to this topic.
The book concludes with a concise analysis of the 'eschatological sinism' of Hegel, Marx and Weber to indicate the development of the later centuries.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.