This monograph is the first study of the reception of China in English literature, and the first comprehensive study on the image of China in Western literature written by prominent Chinese scholars such as Qian Zhongshu, Fan Cunzhong and Chen Shouyi. It complements such studies on the literary reception of China as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literatur des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).
China on the Eighteenth-century Italian Opera Stage Adrienne Ward. Seidel, Michael. ... Smith, Patrick J. The Tenth Muse: A Historical Study of the Opera Libretto. New York: Knopf, 1970. Solie, Ruth, ed. ... Image of the Turk in Italy.
Laura Hostetler, “A Mirror for the Monarch: A Literary Portrait of China in Eighteenth-Century France,” Asia Major 3.19 (2006), 352. Eric Hayot, Haun Saussy, and Steven G. Yao, “Sinographies: An Introduction,” in Sinographies: Writing ...
22 Nicholas Crane, Mercator: The Man Who Mapped the Planet (London: Phoenix, 2003), 233–34. For England's indebtedness to Mercator's cartography see Taylor, “A Letter Dated 1577 from Mercator to John Dee,” Imago Mundi13 (1956): 56–68; ...
Six Fragments Translated and annotated by Ku Hung - ming ( 1898 ) Ku Hung - ming ( Gu Hongming , 1857–1928 ) was born into ... Ku Hung - ming , preface to The Discourses and Sayings of Confucius , 1898 III : 23 Confucius remarked to the ...
... The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries. Hong Kong: Chinese University Press, 1998, pp. 117–214. Reprinted in English Essays, pp. 141–280. China in the English Literature of the Seventeenth ...
China and Europe: Images and Influences in Sixteenth to Eighteenth Centuries
A study of the English interest in China during the 17th and 18th centuries. Examines Chinese vogue in England, created from the stories and philosophies brought back by travelers.
Ross G. Forman demonstrates how integral China and the Chinese were to the Victorian imagination and reassesses British imperialism in Asia.
Like the other two maps, Crusoe's map is adorned with a dotted line that transforms the static cartographic space into ... maps and novels as co-constitutive, correlative ways of managing a modern world with vastly expanded geographical ...
109. 2 O'Quinn, Staging Governance, pp. 1–7, 28; and Entertaining Crisis; Nussbaum, The Limits ofthe Human; Worrall, Harlequin Empire. See also Orr, Empire on the English Stage; Barbour, Before Orientalism; ...