Addressing one of the most controversial and emotive issues of American history, this book presents a thorough reexamination of the background, dynamics, and decline of American lynching. It argues that collective homicide in the US can only be partly understood through a discussion of the unsettled southern political situation after 1865, but must also be seen in the context of a global conversation about changing cultural meanings of 'race'. A deeper comprehension of the course of mob murder and the dynamics that drove it emerges through comparing the situation in the US with violence that was and still is happening around the world. Drawing on a variety of approaches - historical, anthropological and literary - the study shows how concepts of imperialism, gender, sexuality, and civilization profoundly affected the course of mob murder in the US. Lynching provides thought-provoking analyses of cases where race was - and was not - a factor. The book is constructed as a series of case studies grouped into three thematic sections. Part I, Understanding Lynching, starts with accounts of mob murder around the world. Part II, Lynching and Cultural Change, examines shifting concepts of race, gender, and sexuality by drawing first on the romantic travel and adventure fiction of the era 1880-1920, from authors such as H. Rider Haggard and Edgar Rice Burroughs. Changing images of black and white bodies form another major focus of this section. Part III, Blood, Debate, and Redemption in Georgia, follows the story of American collective murder and growing opposition to it in Georgia, a key site of lynching, in the early twentieth century. By situating American mob murder in a wide international context, and viewing the phenomenon as more than simply a tool of racial control, this book presents a reappraisal of one of the most unpleasant, yet important periods of America's history, one that remains crucial for understanding race relations and collective violence around the world.
From the American Revolution to the expansion of the western frontier, Waldrep shows how communities defended lynching as a way to maintain law and order."--Publisher description.
"In this meticulously researched and innovative study, Ken Gonzales-Day brings to light the history of lynching in California. As an artist, Gonzales-Day renders a stunning visual record of an absent history.
Ginzburg compiles vivid newspaper accounts from 1886 to 1960 to provide insight and understanding of the history of racial violence.
Nearly 5,000 black Americans were lynched between 1890 and 1960, and asSherrilyn Ifill argues, the effects of this racial trauma continue to resound.While the lynchings were devastating, the little-known contemporaryconsequences, such as ...
24, 35), 301 (nn. 1, 4, 6); John Carter, 42–43, 98, 191–92, 303 (n. 25); John Crooms, 93; John Lee, 186, 189, 195; John Metcalf, 306 (n. 54); Joseph Richardson, 80; J. P. Ivy, 211; Lint Shaw, 193, 195, 198–99, 201, 210, 223; Lloyd Clay, ...
This book was first published as a special issue of American Nineteenth Century History
... was a black teenager who had worked for the Thurmond family as a maid eighty years earlier . 12 Dudziak , Cold War Civil Rights , 44-45 . 13 Quoted in Lisa Gail Collins , " Catalogue , " in African - American Artists , 1929-1945 ...
... prospect of a flood of hostile national publicity , much of it generated by the NAACP.9 However much the persistent ... fall of 1933 , a protracted process of tenant evictions , increasing reliance on hired labor , and gradual adoption ...
Mary Turner and the Memory of Lynching traces the reaction of activists, artists, writers, and local residents to the brutal lynching of a pregnant woman near Valdosta, Georgia.
A history of lynching in America describes its common use, especially in the southern United States, and discusses the crusade by a handful of black and white citizens to eliminate the shameful practice.