This volume presents foundational and representative essays of the last half century on theatre performance practice during the period 1580 to 1750. The particular focus is on the nature of playing spaces, staging, acting and audience response in professional theatre and the selection of previously published research articles and book chapters includes significant works on topics such as Shakespearean staging, French and Spanish theatre audiences, the challenging aspects of the evolution of Italian renaissance acting practice, and the ’hidden’ dimensions of performance. The essays provide coherent transnational coverage as well as detailed treatments of their individual topics. Considerations of theatre practice in Italy, Spain and France, as well as England, place Shakespeare’s theatre in its European context to reveal surprising commonalities and salient differences in the performance practice of early modern Europe’s major professional theatres. This volume is an indispensable reference work for university libraries, lecturers, researchers and practitioners and offers a coherent overview of early modern comparative performance practice, and a deeper understanding of the field’s major topics and developments.
Critical Essays on European Theatre Performance Practice Series Editors: M.A. Katritzky and Jim Davis Titles in the ... Theatre Performance Practice, 1580–1750 Robert Henke and M.A. Katritzky European Theatre Performance Practice, ...
... years or so have been marked by a radical eclecticism in which performance forms have proliferated beyond measure. ... performance', 'virtual theatre', 'walking performance' and 'megamusical' testify to the range of practices that ...
Rpt. in European Theatre Performance Practice, 1580–1750 , ed. Robert Henke and M. A. Katritzky , 479–492 . Burlington , VT : Ashgate Press . Henke , Robert . 1997b. Pastoral Transformations: Italian Tragicomedy and Shakespeare's Late ...
... European Theatre Performance Practice, 1580–1750 (Ashgate, 2014), and with Jim Davis, the four-volume Ashgate Performance Practice Reprint Series (2014). Tatiana Korneeva, Ph.D. (2008) in Classics, Scuola Normale Superiore di Pisa, ...
The essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub ...
9 Leonor Álvarez, Frans Blom and Kim Jautze, “Spaans Theater in de Amsterdamse Schouwburg (1638–1672),” De Zeventiende Eeuw 32 (2016): 12–39. See Ton Hoenselaars and Helmer Helmers, ... European Theatre Performance Practice, 1580–1750.
In European Theatre Performance Practice 1580–1750, edited by Robert Henke and M.A. Katritzky. (Burlington, VT: Ashgate). Parry, Milman. ([1928] 1971). The Making of Homeric Verse: The Collected Papers of Milman Parry.
Though this scene does not correspond exactly with the Scala edition, the 1611 printing of the scenario 22 years after ... 54 Richard Andrews devotes a section of Scripts and Scenarios: The Performance of Comedy in Renaissance Italy ...
European Theatre Performance Practice, 1580—1750. Aldershot: Ashgate, 2014. Hershenzon, Daniel Bernardo. “Early Modern Spain and the Creation of the Mediterranean: Captivity, Commerce and Knowledge.” PhD diss., University of Michigan, ...
Further reading Editions Dodsley, Robert (1744) A Select Collection of Old Plays, vol. ... Thacker, Jonathan (2014) “Staging and Performance,” in Robert Henke and M.A. Katritzky (eds), European Theatre Performance Practice, 1580–1750, ...