In the early morning hours of May 18, 1944 the Russian army, under orders from Stalin, deported the entire Crimean Tatar population from their historical homeland. Given only fifteen minutes to gather their belongings, they were herded into cattle cars bound for Soviet Central Asia. Although the official Soviet record was cleansed of this affair and the name of their ethnic group was erased from all records and official documents, Crimean Tatars did not assimilate with other groups or disappear. This is an ethnographic study of the negotiation of social memory and the role this had in the growth of a national repatriation movement among the Crimean Tatars. It examines the recollections of the Crimean Tatars, the techniques by which they are produced and transmitted and the formation of a remarkably uniform social memory in light of their dispersion throughout Central Asia. Through the lens of social memory, the book covers not only the deportation and life in the diaspora but the process by which the children and grandchildren of the deportees 'returned' and anchored themselves in the Crimean Penininsula, a place they had never visited.
With an introduction by the editors discussing Memory Studies, and concluding remarks by Astrid Erll, this collection demonstrates that acceptance and consideration of silence as having both a performative and aesthetic dimension is an ...
... playing from his township one More time album (SaMa 5 Best producer nomination). the rendition gives one a vivid picture of the master at work. Born adolf Johannes Brand on 9 october 1934, jazz pianist Dollar Brand is from a family ...
Contributing to current debates on relationships between culture and the social, and the the rapidly changing practices of modern museums as they seek to shed the legacies of both evolutionary conceptions and colonial science, this ...
Innovative and conceptual uses of photography within a highly developed Soviet dissident culture are explored in this examination of photography's place in late Soviet unofficial art. Simultaneous.
Lifewriting has been at the centre of some contemporary scholarly enquiry and debates across many different disciplines such as cultural studies ( Campbell & Harbord , 2002 ) , narrative studies ( Olney 1998 ; Riessman , 2008 ; Riessman ...
This anthology brings together the voices of both new and established Arab American writers in a compilation of creative nonfiction that reveals the stories of the Arab diaspora in styles that range from the traditional to the experimental.
They taught me to go beyond appearances, towards the unknown and unknowable, to find in everything and every situation ... logical sequence, that it is a casual, simultaneous accumulation of various events, from which the memory draws a ...
I take my title, Pasts Beyond Memory, from the moment in Joseph Conrad's Heart of Darkness when, as he nears his journey's end, Marlow, surprised by the whirl of black limbs on the river bank, evokes the scene of savagery as one beyond ...
... T. J. , 203 , 217 , 294 , 295 Kostowski , W. , 111 Kotter , R. , 41 , 44 , 89 , 91 Krieg , W. J. S. , 31 , 36 Krogh , A. , 101 , 180 , 303 Kubiak , P. , 297 Kubie , J. L. , 23 , 27 , 28 , 30 , 77 , 78 , 80 , 87 , 93 , 94 , 98–101 ...
The purpose of Remembering the Times of Our Lives: Memory in Infancy and Beyond is to trace the development from infancy through adulthood in the capacity to form, retain, and later retrieve autobiographical or personal memories.