"South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. If one peruses the books that exist on South African popular music, one still finds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the music of the black communities. Beyond memory: recording the history, moments and memories of South African music is an invaluable publication becauseit offers a first-hand account of the South African music scene of the past decades from the pen of Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a DJ at the South African Broadcasting Corporation. This book -astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries"--Publisher's description.
This anthology brings together the voices of both new and established Arab American writers in a compilation of creative nonfiction that reveals the stories of the Arab diaspora in styles that range from the traditional to the experimental.
I take my title, Pasts Beyond Memory, from the moment in Joseph Conrad's Heart of Darkness when, as he nears his journey's end, Marlow, surprised by the whirl of black limbs on the river bank, evokes the scene of savagery as one beyond ...
How does past trauma organize cultural understandings? Perelli suggests that the past can function as a political commodity in the sense that a narrative of the past, with a central premise and general outline shared by all, ...
Innovative and conceptual uses of photography within a highly developed Soviet dissident culture are explored in this examination of photography's place in late Soviet unofficial art. Simultaneous.
With an introduction by the editors discussing Memory Studies, and concluding remarks by Astrid Erll, this collection demonstrates that acceptance and consideration of silence as having both a performative and aesthetic dimension is an ...
Lifewriting has been at the centre of some contemporary scholarly enquiry and debates across many different disciplines such as cultural studies ( Campbell & Harbord , 2002 ) , narrative studies ( Olney 1998 ; Riessman , 2008 ; Riessman ...
They taught me to go beyond appearances, towards the unknown and unknowable, to find in everything and every situation ... logical sequence, that it is a casual, simultaneous accumulation of various events, from which the memory draws a ...
... symbolism behind the larger synagogues constructed across Europe in the nineteenth and early twentieth centuries , see L. Scott Lerner , “ The Narrating Architecture of Emancipation , ” Jewish Social Studies 6 : 3 ( 2000 ) : 1–30 .
... T. J. , 203 , 217 , 294 , 295 Kostowski , W. , 111 Kotter , R. , 41 , 44 , 89 , 91 Krieg , W. J. S. , 31 , 36 Krogh , A. , 101 , 180 , 303 Kubiak , P. , 297 Kubie , J. L. , 23 , 27 , 28 , 30 , 77 , 78 , 80 , 87 , 93 , 94 , 98–101 ...
Though the book focuses on the years of high immigration (1890–1920), it also looks at precursors to post-reunification Protestants as well as Protestants in Italy today, now that the nation has become a country of in-migration.