A new and definitive guide to the theatre of the ancient world The Guide to Greek Theatre and Drama is a meticulously researched and accessible survey into the place and purpose of theatre in Ancient Greece. It provides a comprehensive author-by-author examination of the surviving plays of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, as well as giving an insight into how and where the plays were performed, who acted them out, and who watched them. It includes a fascinating discussion of the function of the essential characteristics of Greek drama, including verse, rhetoric, music, comedy, and chorus. Above all it offers a fascinating viewpoint onto the everyday values of the ancient Greeks; values with a continuing influence over the theatre of the present day.
This is a meticulously researched survey into the place and purpose of theatre in ancient Greece.
This newly updated second edition features wide-ranging, systematically organized scholarship in a concise introduction to ancient Greek drama, which flourished from the sixth to third century BC. Covers all three genres of ancient Greek ...
This is an indispensable guide for anyone who finds themselves confronted with tackling the Greek classics, whether as a reader, scholar, student, or director.
Merging the theoretical framework with the practical elements of staging an ancient Greek play, this indispensable guide offers directors and actors an excellent starting point for mounting their production.
With observations on all aspects of performance, this volume fills their need for a clear, concise account of what is known about the original conditions of such productions in the age of Pericles.
A simple yet informative introduction to theater in ancient Greece covering buildings (the Spring Festival, theater open-air buildings, the audience, the Chorus, the actors, scenery and special effects); the performers (choosing and casting ...
While there is clearly no dearth of material on Greek theatre, until now no systematic effort has been made to integrate the Classical tradition with our modern perceptions and adaptations...
Mayo and Hamma 1982. M. E. Mayo and K. Hamma. The Art of South Italy: Vases from Magna Graecia. Exh. cat. Richmond, Va. McDonald and Walton 2007. M. McDonald and J. M. Walton. The Cambridge Companion to Greek and Roman Theatre.
For studies of the theatre audience, see Marvin Carlson, “Theatre Audi- ences”; Susan Bennett, Theatre Audiences; Herbert Blau, The Audience; Jim Davis and Victor Emeljanow, Reflecting the Audience; Jill Dolan, The Feminist Spectator as ...
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