Recording Culture holds up audio documentary as a premiere form of qualitative research which can serve as an inventive method of storytelling. Based in the practices of fieldwork, audio documentary increases the potential for researchers to reach academic and popular audiences and work collaboratively with people in the pursuit and representation of knowledge and experience. This volume not only explores the methodological issues related to audio documentary, it also provides readers with practical guidance on how to produce their own audio projects.This book is an ideal supplement for courses with titles such as Audio Documentary, Ethnography, Fieldwork, and Qualitative Methods. Instructors could easily use the text to guide students through the audio documentary process, enabling them to do ethnography using technology at a relatively lost cost.
48 He also critiques Harlem Renaissance writers (with the notable exception of Langston Hughes) who undervalued new forms of black recorded music, noting that while they understood music as “descriptive of Harlem life” and saw jazz as ...
... Music in American Life, 140. 110. Mark Zwonitzer and Charles Hirshberg. Will You Miss Me When I'm Gone?: The Carter ... Popular Exclusive Victor Artist and National Listing for Record Number 21245, letter from Victor Talking Machine ...
Valdemar Poulsen's efforts to commercialize magnetic recording in Europe had resulted in the sale of his patent rights to two groups of German investors in 1901 and 1902. ? These ventures soon failed , and apparently there was little ...
"Chasing Sound is a welcome addition to a growing literature illuminating the history of sound recording. . . . What makes the book unique are the author's interviews with dozens of engineers and producers.
Morton (research historian for the IEEE History Center at Rutgers U.) examines the process of invention, innovation, and diffusion of communications technology in the development of the phonograph record, recording for radio, the dictation ...
This book looks at the ways in which music technologies are both inflected by and inflect human interactions, creating discourses, practices, disciplines, and communities.
Finally, the book covers the development of an indigenous recording industry dominated by the so-called gabinetes fonográficos, small businesses that sold imported phonographs, produced their own recordings, and shaped early discourses ...
Studie over hoe de moderne opname- en geluidstechnieken van na de oorlog in de Verenigde Staten het idioom van de populaire muziek, inclusief beeldvorming en appreciatie, ingrijpend hebben gewijzigd.
This book is the first comprehensive account of the new spatialties of cultural production in the recording studio sector of the musical economy, spatialities that illuminate the complexities of global cultural production.
In one of the first ethnographies of contemporary studio music production, author Eliot Bates investigates the emergence of a transnational market for Anatolian minority popular musics in the Turkish music industry.