What makes a story a story? What is style? What's the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster's Aspects of the Novel and Strunk and White's The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.
FREE INDIRECT STYLE Take this opening (it is a complete paragraph) of William Trevor's short story 'Against the Odds' from his collection The Hill Bachelors: Mrs Kincaid decided to lie low. There had been a bit of bother, nothing much ...
The definitive collection of literary essays by The New Yorker’s award-winning longtime book critic Ever since the publication of his first essay collection, The Broken Estate, in 1999, James Wood has been widely regarded as a leading ...
In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured.
In this exhilarating book, we accompany Umberto Eco as he explores the intricacies of fictional form and method.
Award-winning author James Scott Bell offers clear, concise information that will help you create a believable and memorable plot, including: • Techniques for crafting strong beginnings, middles, and ends • Easy-to-understand plotting ...
In this remarkable blend of memoir and criticism, James Wood, noted contributor to the New Yorker, has written a master class on the connections between fiction and life.
A young man, hectic and dirty, sits on a park bench in a cold city. He is wild, nervous, seems to fiddle with his soul. Beside him, an old man is holding a newspaper. The young man begins a conversation. In its course, the old man ...
This book seeks to understand the role of literary representation, or mimesis, in shaping, sustaining, and negotiating environmental imaginaries during the deep, ongoing transformations that have taken place from the 1950s to the present.
Following "The Broken Estate," "The Irresponsible Self," and "How Fiction Works"--a new book that confirms Wood's preeminence, not only as a discerning judge but also as an appreciator of the contemporary novel.