The unique MS of Beowulf may be, and if possible should be, seen by the student in the British Museum. It is a good specimen of the elegant script of Anglo-Saxon times: "a book got up with some care," as if intended for the library of a nobleman or of a monastery. Yet this MS is removed from the date when the poem was composed and from the events which it narrates (so far as these events are historic at all) by periods of time approximately equal to those which separate us from the time when Shakespeare's Henry V was written, and when the battle of Agincourt was fought. To try to penetrate the darkness of the five centuries which lie behind the extant MS by fitting together such fragments of illustrative information as can be obtained, and by using the imagination to bridge the gaps, has been the business of three generations of scholars distributed among the ten nations of Germanic speech. A whole library has been written around our poem, and the result is that this book cannot be as simple as either writer or reader might have wished. The story which the MS tells us may be summarized thus: Beowulf, a prince of the Geatas, voyages to Heorot, the hall of Hrothgar, king of the Danes; there he destroys a monster Grendel, who for twelve years has haunted the hall by night and slain all he found therein. When Grendel's mother in revenge makes an attack on the hall, Beowulf seeks her out and kills her also in her home beneath the waters. He then returns to his land with honour and is rewarded by his king Hygelac. Ultimately he himself becomes king of the Geatas, and fifty years later slays a dragon and is slain by it. The poem closes with an account of the funeral rites. Fantastic as these stories are, they are depicted against a background of what appears to be fact. Incidentally, and in a number of digressions, we receive much information about the Geatas, Swedes and Danes: all which information has an appearance of historic accuracy, and in some cases can be proved, from external evidence, to be historically accurate.
A generous, energetic, engaging work... will be important to Beowulf study for years to come. THE MEDIEVAL REVIEW
Beowulf: Based on the Screenplay by Neil Gaiman & Roger Avary
Written sometime between 700 and 1000AD, the anonymous 3000 line poem is sometimes called 'England's national epic' and recounts the story of a young Scandinavian warrior, Beowulf, who pledges to protect King Hrothgar's people from a ...
A simplified and illustrated retelling of the exploits of the Anglo-Saxon warrior, Beowulf, and how he came to defeat the monster Grendel, Grendel's mother, and a dragon that threatened the kingdom.
I would like to thank Toni Healey, Roberta Frank, Patrick Conner, George Clark, Timothy Boyd and especially David Townsend for their suggestions and encouragement. 1. A Beowulf Handbook, ed. Robert E. Bjork and John D. Niles (Lincoln: ...
... 'Going Berserk: Battle Trance and Ecstatic Holy Warriors in the European War Magic Tradition', International Journal of Transpersonal Studies, 35 (2016), 21–38 Wallach, Luitpold, Alcuin and Charlemagne: Studies in Carolingian ...
Bjork argues that speeches become increasingly indiscernible from the narrator's voice as the poem progresses.4 While this ... 'he stood on the hearth' (404), and then describes his skilfully wrought, shining battle dress (405b–6).
This collection of significant studies from the past 25 years of scholarship on Beowulf has been selected to represent the various approaches that have dominated Beowulf studies, and to illustrate the evolution of Old English literary ...
The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication.
Introducing Grendel -- Chapter 1: The genealogy of Grendel -- Chapter 2: Scenes of Grendel Grendel Grendel -- Chapter 3: Themes of Grendel Grendel Grendel -- Chapter 4: Making of Grendel Grendel Grendel -- Chapter 5: Aesthetics of Grendel ...