In 2015 University Press of Mississippi published Mississippi Fiddle Tunes and Songs from the 1930s by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi’s rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. Beginning with Tony Russell’s original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour & Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920–2018. Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors’ field recordings; and the musicians’ own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi’s fiddle tunes.
programs attracted them to Washington and placed them in positions of surprising authority in the Federal infrastructure.44 Other consultants who worked with the committee were Alan Lomax, Sidney Robertson, George Herzog, Ralph S. Boggs ...
This unique volume is the only book solely about antebellum American fiddling.
While encountering the influences of an increasingly overwhelming popular culture, the men and women in this book follow age-old patterns of folklife and custom, making their own music and dance in celebration of them.
The Fiddle Book is about Fiddles, Fiddlers and Fiddling.
These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today.
Southern Fiddlers and Fiddle Contests explores the phenomenon of American fiddle contests, which now have replaced dances as the main public event where American fiddlers get together.
Unknown publisher, 1943. Mahnkey, Douglas. Bright Glowed My Hills. Point Lookout, Mo.: School of the Ozarks Press, 1968. Marshall, Howard W. “Marmaduke's Hornpipe: Speculation on the Life and Times of a Historic Missouri Tune.
As the vinyl record format disappears from the marketplace, a great deal of recorded fiddle music will no longer be available. In this book, Stacy Phillips shares the fruits of some timely collecting for all fiddlers to enjoy.
Spangler's guitarist was Dave Pearson . appears in Patrick County Blues As played by J. W. " Babe " Spangler in The Old Virginia Fiddlers : Old Time Fiddle Music from Patrick County , Virginia ( County Records 201 , 1977 ; originally ...
Designed to meet the rising popularity of the viola's role in folk music, the tunes in this book are grouped into C, G, D, F, B-flat, and E-flat major fingering. the music in this book is printed on parallel staffs. the top is traditional ...