Music videos promote popular artists in cultural forms that circulate widely across social media networks. With the advent of YouTube in 2005 and the proliferation of handheld technologies and social networking sites, the music video has become available to millions worldwide, and continues to serve as a fertile platform for the debate of issues and themes in popular culture. This volume of essays serves as a foundational handbook for the study and interpretation of the popular music video, with the specific aim of examining the industry contexts, cultural concepts, and aesthetic materials that videos rely upon in order to be both intelligible and meaningful. Easily accessible to viewers in everyday life, music videos offer profound cultural interventions and negotiations while traversing a range of media forms. From a variety of unique perspectives, the contributors to this volume undertake discussions that open up new avenues for exploring the creative changes and developments in music video production. With chapters that address music video authorship, distribution, cultural representations, mediations, aesthetics, and discourses, this study signals a major initiative to provide a deeper understanding of the intersecting and interdisciplinary approaches that are invoked in the analysis of this popular and influential musical form.
"A wide-ranging overview of current research on music videos and audiovisual elements of popular music"--Bloomsbury Publishing.
See Whiteley and Rycenga, Queering the Popular Pitch; Peraino, “Listening to Gender,” 59–64; Jarman-Ivens, Queer Voices; Hubbs, Rednecks, Queers, and Country Music; Clifford-Napoleone, Queerness in Heavy Metal Music; Hawkins, Queerness ...
He is a songwriter, arranger, producer and live and studio musician performing on the viola, guitar, bass, percussion, ... for Ethnomusicology and an editor of its peer-reviewed journal, the Finnish Yearbook of Ethnomusicology.
Grundy, P. (1995), “'We Always Tried to Be Good People': Respectability, Crazy Water Crystals, and Hillbilly Music on the Air, 1933–1935,” Journal of American History, 81 (4): 1591–1620. Harkins, A. (2004), Hillbilly: A Cultural History ...
analysis of the collection of music videos as a defined body of work that highlights the star's commercial and ... Without a doubt, Michael Jackson and Madonna – MTV's 'Two M's' – are the quintessential music video pop artists of the ...
The Present and Future of Music Law presents thirteen case studies written by experts in their fields, examining a range of key topics at the points where music law and the post-digital music industry intersect, offering a timely ...
This volume presents research that uses an industry-based approach to examine why this gender imbalance has proven so hard to shift, and explores strategies that are being adopted to try and bring about meaningful change in terms of women ...
New York: Prentice Hall. Hunter-Tilney, Ludovic. 1998. "Don't Look Here for the Answer: Pop Is This Desire?" Financial Times, September 25. Hutcheon, Linda. 1989. The Politics of Postmodernism. New York: Routledge. Jackobson, Roman.
The book acknowledges the history of the commercial status of pop music as a whole, as well as its complex relations with other media. Sound and Vision will be an essential text for students of popular music and popular culture.
Exploring the multiple dimensions of music videos, this book is the perfect introduction to critical analysis for music, media studies, communications, and popular culture.