Stories of the torture and execution of beautiful Christian women first appeared in late antiquity and proliferated during the early Middle Ages. A thousand years later, virgin martyrs were still the most popular female saints. Their legends, in countless retellings through the centuries, preserved a standard plot—the heroine resists a pagan suitor, endures cruelties inflicted by her rejected lover or outraged family, works miracles, and dies for Christ. That sequence was embellished by incidents emblematic of the specific saint: Juliana's battle with the devil, Barbara's immurement in the tower, Katherine's encounter with spiked wheels. Karen A. Winstead examines this seemingly static story form and discovers subtle shifts in the representation of the virgin martyrs, as their legends were adapted for changing audiences in late medieval England.
Chapter 4: How she described the man she would marry, if she married anyone Then a duke of her land, her uncle, stood up and knelt reverently before her and said, “My own sovereign lady, with due respect for your high and noble ...
This work examines the literary English traditions of four Virgin Martyrs: Agatha of Catania, Agnes of Rome, Juliana of Nicomedia, and Katherine of Alexandria.
This clearly written book is a search for a way to read the medieval legends of the saints-- all saints--through the stories of the Virgin Martyrs, so that that their original and powerful stories speak to us once again.
This book reconceives the rewriting of Byzantine hagiography between the eighth and fourteenth centuries as a skilful initiative in communication and creative freedom, and as a form of authorship.
We saw in chapter 6 how motherhood began to be perceived as incompatible with martyrdom, which offers the mirror image of this idea—only virgins shed sacrificial blood. The golden age of martyrs solidified the idea that virgin blood is ...
This book, which is based on a scholarly piece of literature from the Abbey of Solesmes in France, includes not only the life of St. Cecilia but also the history of her veneration. This is hagiography at its finest.
... 181 Cohen , Elizabeth , 118 Faerie Queene ( Spenser ) , 188 , 190 Cohen , Jeffrey Jerome , 43 Fasti ( Ovid ) , 86 Comus . See Mask Performed at Ludlow Felicity , 60 Castle Fenner , Dudley , 148 conduct books , 132 , 133 Ferguson ...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.