'The Centre as Margin. Eccentric Perspectives on Art' is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, from medieval to contemporary art. Resulting from recent research developed from the privileged viewpoint offered by the margin, this volume brings together the contributions of young researchers along with the work of career scholars. Likewise, it does not obey a traditional or a rigid diachronic structure, being rather organized in three major parts that organically articulate the different essays. Within each of these parts in which the book is divided, papers are sometimes organized according to their timeframes, providing the reader with an encompassing (though not encyclopedic) overview of the common ground over which the various artistic disciplines build their methodological, theoretical, and thematic centers and margins. The intended eccentricity of this volume – and the original essays herein presented – should provide researchers, scholars, students, artists, curators, and the general reader interested in art with a refreshing approach to its various scientific strands.
In The Centre as Margin. Eccentric Perspectives on Art, Joana Antunes, Maria de Lurdes Craveiro, Carla Alexandra Gonçalves (eds.), 115–132. Malaga: Vernon Press, 2019. Székely, Maria Magdalena. Forme de afirmare a preeminenței sociale ...
The twenty essays in this book look across cultures, places and ceilings over time to discover their potential to uplift the human spirit.
The book is illustrated with examples of art by nearly thirty different contemporary artists.
This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds.
Can cultural exchange be understood as a mutual act of translation?
The interdisciplinary nature of this book means that it will appeal to students, scholars, artists and to anyone with an interest in the fascinating world of contemporary art.
A Glossary of Technical Terms (1994); The Lindisfarne Gospels: Society, Spirituality and the Scribe (2003); The Lion Companion to Christian Art (2008); The Luttrell Psalter (2006); The Holkham Bible (2008); and Art of the Islands: ...
This book will appeal to contemporary music researchers, students and scholars and may also be of interest to artists, performers and composers, alike.
How are museums working internationally through exhibitions? What motivates this work? What are the benefits and challenges? What factors contribute to success? What impact does this work have for audiences and other stakeholders?
Working from photographs provided by the scholars, Luca del Baldo painted his series of 96 portraits reproduced in this book.