"Creativity is the unique and defining trait of our species; and its ultimate goal, self-understanding," begins Edward O. Wilson's sweeping examination of the humanities and its relationship to the sciences. By studying fields as diverse as paleontology, evolutionary biology, and neuroscience, Wilson demonstrates that human creativity began not 10,000 years ago, as we have long assumed, but over 100,000 years ago in the Paleolithic Age. Chronicling the evolution of creativity from primates to humans, Wilson shows how the humanities, in large part spurred on by the invention of language, have played a previously unexamined role in defining our species. Exploring a surprising range of creative endeavors--the instinct to create gardens, the use of metaphors and irony in speech, the power of music and song-- Wilson proposes a transformational "Third Enlightenment" in which the blending of science and humanities will enable a deeper understanding of the human condition and how it ultimately originated.
Whitley, one of the world's leading experts on cave paintings, rewrites the understanding of shamanism and its connection with artistic creativity, myth, and religion by interweaving archaeological evidence with the latest findings of ...
Beekman, M., Lew, J.B., 2007. Foraging in honeybeesdwhen does it pay to dance? Behav. Ecol. 255–262. Bickerton, D., 1990. Language & Species. University of Chicago Press, Chicago. Boaz, N.T., Ciochon, R.L., 2004.
This is the first book that brings the theory of blending to a wide audience and shows how blending is at the heart of the origin of ideas.
How Art Made the World , in conjunction with the PBS miniseries, reveals how artists from the earliest caveman to the most studied Renaissance master have grappled with the same questions in their work: What is a man? Why must we die?
Where does inspiration come from? What are the secrets of our most revered creators? How can we maximize our creative potential? THIS IS THE STORY OF HOW WE CREATE. Creativity defines the human experience.
Genesis of Creativity and the Origin of the Human Mind is a collective monograph which comprises scientific studies written by foremost world experts specialising on evolution of the man, culture and art.
“The book bursts to life with [Wilson’s] observations of nature, from fire ants and social spiders to starlings.”—Aarathi Prasad, New York Times Book Review An “endlessly fascinating” (Michael Ruse) work of scientific thought ...
This book gives an account of the stages by which, and the reasons why, this development occurred at that time.
These programs are often christened with names of famous creative individuals, such as OCCAM, BACON, GALILEO, GLAUBER, STAHL, FAHRENHEIT, BLACK, and DALTON. And these tags are not wholly incidental. For example, BACON specializes in the ...
It also raises a wealth of neglected and yet evocative philosophical questions. The Philosophy of Creativity takes up these questions and, in doing so, illustrates the value of interdisciplinary exchange.