A new vision of politics “below the radar” One way to grasp the nature of politics is to understand the key terms in which it is discussed. Unexceptional Politics develops a political vocabulary drawn from a wide range of media (political fiction, art, film, and TV), highlighting the scams, imbroglios, information trafficking, brinkmanship, and parliamentary procedures that obstruct and block progressive politics. The book reviews and renews modes of thinking about micropolitics that counter notions of the “state of exception” embedded in theories of the “political” from Thomas Hobbes to Carl Schmitt. Emily Apter develops a critical model of politics behind the scenes, a politics that operates outside the norms of classical political theory. She focuses on micropolitics, defined as small events, happening in series, that often pass unnoticed yet disturb and interfere with the institutional structures of capitalist parliamentary systems, even as they secure their reproduction and longevity. Apter’s experimental glossary is arranged under headings that look at the apparently incidental, immaterial, and increasingly virtual practices of politicking: “obstruction,” “obstinacy,” “psychopolitics,” “managed life,” “serial politics.” Such terms frame an argument for taking stock of the realization that we really do not know what politics is, where it begins and ends, or how its micro-events should be described.
a Emily Apter provides an indirect answer to this question in her book Unexceptional Politics . She observes that the contemporary “ political environment ... is severely pockmarked by obstructionism , obstinacy , the marketing of ...
Unexceptional politics, posed against the “state of exception” foundationally inscribed in “the Political” (from Thomas Hobbes to Carl Schmitt and Hans Kelsen, from Hannah Arendt to Jacques Derrida and Giorgio Agamben), ...
Explores conceptions of politics in early modern France, and the controversies the word 'politique' attracted during the Wars of Religion.
Fixing American Politics poses all the best questions ... and offers some concrete answers as well. This book is perfect for students, citizens, the media, and anyone concerned with contemporary challenges to civic life and discourse today.
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It burrows in the human capacity for timbre as the singularity of every voice that says, “here I am.” When Roland Barthes asked the famous question, “who speaks?” in “The Death of the Author,” he delighted in the impersonal domain of ...
... aesthetics, historical analysis and politics.” —Emily Apter, Silver Professor of Comparative Literature and French, New York University. Author of Unexceptional Politics: On Obstruction, Impasse and the Impolitic (Verso ...
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