Children have long been one of cinema's largest audiences yet, from its infancy, cinema has in the minds of moral watchdogs accompanied a succession of pastimes and new technologies as catalysts for juvenile delinquency. From 'penny dreadfuls' and comic books to television, 'video nasties' and computer games, and more recently, gangsta rap, mobile phones and the Internet - all have been seen as threats to children's safety, health, morality and literacy, and cinema is no exception. Writing with energy and wit and mobilising impressive original research, Sarah J. Smith explores recurring debates in Britain and America about children and how they use and respond to the media, focusing on a key example: the controversy and apparent moral panic surrounding children and cinema in its heyday, the 1930s. She shows how children colonised the cinema and established their own distinct cinema culture. And, considering films from "Snow White and the Seven Dwarfs" to "Scarface" and "King Kong", she explores attempts to control children's viewing, the underlying ideas that supported these approaches and the extent to which they were successful. Revealing the ways in which children subverted or circumvented official censorship - including the Hays Code and the British Board of Film Censors - she develops a challenging new proposition: that children were agents in the regulation of their own viewing, not simply passive consumers.
40 Margaret Dickinson and Sarah Street, Cinema and the State: The Film Industry and the British Government, 1927–84 (London: British Film Institute, 1985), pp. 8–12. See also chapter 2 of this book. 6 Sexuality and the Cinema 1 Jeffrey ...
But over decades the state's film legacy was ignored until it was forgotten and actually obliterated. The story of New Jersey's film industry has been awaiting re-discovery. A screening of movies like The Great Train Robbery and ...
This book serves as a comprehensive introduction to the children's film, examining its recurrent themes and ideologies, and common narrative and stylistic principles.
Including essays by leading film historians, the book offers groundbreaking historical research on film censorship in major film production countries and explore such innovative themes as film censorship and authorship, religion, and ...
Focusing on five major controversies beginning in the 1930's Golden Age of Horror Cinema and ending on a more contemporary note with Cyber-Gothic horror – this book identifies and considers the various myths and false hoods surrounding ...
Harry Potter and Aardman represent an appealing upside to British children's cinema, but they are scarcely representative of broader industry conditions. In October 2003, the Children's Film and Television Foundation (CFTF) was awarded ...
Each of the ten sections in this collection takes on a particular aspect of children’s cinema, from animated features to adaptations of beloved novels. The films discussed here range from the early 1890s to the present.
New York: Arno, 1969 [1948]. Wittern-Keller, Laura. “Controlling Content: Governmental Censorship, the Production Code, and the Ratings System.” In Hollywood and the Law, edited by Paul McDonald, Emily Carman, Eric Hoyt, ...
This work explores new developments in the censorship of children's literature. It encompasses both left and right views of how work for children is developing, drawing upon the views of...
The first comparative study of censorship in theatre and cinema during the last century, this book examines notable twentieth-century cases involving the Lord Chamberlain's theatre censorship and the British Board...