Using original research, this book explores the recurring debates in Britain and America about children and how they use and respond to the media, focusing on a key example: the controversy surrounding children and cinema in the 1930s. It explores the attempts to control children's viewing, the theories that supported these approaches and the extent to which they were successful. The author develops her challenging proposition that children are agents in their cinema viewing, not victims; showing how these angels with dirty faces colonized the cinema. She reveals their distinct cinema culture and the ways in which they subverted or circumvented official censorship including the Hays Code and the British Board of Film Censors, to regulate their own viewing of a variety of films, including Frankenstein, King Kong and The Cat and the Canary.
First published in 1988. This book shows how censorship as a set of institutions, practices and discourses was involved in the struggle over the nature of cinema in the early twentieth century.
This book serves as a comprehensive introduction to the children's film, examining its recurrent themes and ideologies, and common narrative and stylistic principles.
Focusing on five major controversies beginning in the 1930's Golden Age of Horror Cinema and ending on a more contemporary note with Cyber-Gothic horror – this book identifies and considers the various myths and false hoods surrounding ...
Harry Potter and Aardman represent an appealing upside to British children's cinema, but they are scarcely representative of broader industry conditions. In October 2003, the Children's Film and Television Foundation (CFTF) was awarded ...
Representing a fair spectrum, we have the publicly denounced work of Bill Henson and arguably one of the most controversial films of the decade, Ken Park, with its positive appraisal fiercely contesting only recently updated censorship laws ...
This book focuses on Asian and Asia-based films and cinematic traditions obscured by lopsided western hegemonic discourse and—more specifically—probes these films’ treatments of a phenomenon that western film often portrays with neo ...
Its strict observance, forbidding acts not associated with the worship of God, was deemed by some a 'precious national ... Writing in 1941, one resident of Broughty Ferry was drawn to ask the Home Secretary, Herbert Morrison, 'Don't you ...