In a comprehensively revised and updated new edition, James Naremore provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). Naremore offers provocative analyses of each of Kubrick's films, considering his emphasis on the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). He argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Combining close readings with new insights into the production histories and cultural contexts of key films, Naremore provides a concise yet thorough discussion that will be useful to students of Kubrick's filmmaking and cinephiles who seek a deeper insight into the work of this perfectionist genius. Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.
... 28–9 Modine, Matthew 37, 38, 210, 211–12, 213, 217, 243n Mommie Dearest (1981) 197 The Money Trap (1966) 68 Moore, Liz 164–5 Morgue, Olivier 138 Morley, David 180 Morris, Aubrey 168, 169 Morris, Oswald 101–2 Morris, Wayne 83, ...
A screenwriter and author of Dispatches provides a firsthand portrait of his friend and colleague, Stanley Kubrick, describing the life and career of the legendary director, dispelling myths about him, and reflecting on his seminal ...
Stanley Kubrick, director of the acclaimed films Path of Glory, Spartacus, Lolita, Dr. Strangelove, 2001: Space Odyssey, A Clockwork Orange, The Shining, and Full Metal Jacket, is arguably one of the greatest American filmmakers.
In Depth of Field, leading screenwriters and scholars analyze Kubrick's films from a variety of perspectives.
Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.
Stanley Kubrick is one of our most brilliant, innovative and difficult filmmakers. Norman Kagan's analysis cuts a lucid path through those difficulties.
Rodney F. Hill , Associate Professor of Film in the Herbert School of Communication at Hofstra University , is co - author of The Francis Ford Coppola Encyclopedia and The Encyclopedia of Stanley Kubrick ; co - editor of Francis Ford ...
This collection brings scholars from diverse disciplinary backgrounds together with those who worked on the film to explore Eyes Wide Shut’s legacy, discuss its impact, and consider its position within Kubrick’s oeuvre and the wider ...
But who was he really? Emilio D'Alessandro lets us see.
Eyes Wide Open: A Memoir of Stanley Kubrick and Eyes Wide Shut