On Kubrick

  • On Kubrick
    By James Naremore

    The book argues that in several respects Kubrick was one of the cinema's last modernists: his taste and sensibility were shaped by the artistic culture of New York in the 1950s; he became a celebrated auteur who forged a distinctive style; ...

  • On Kubrick
    By James Naremore

    ... 28–9 Modine, Matthew 37, 38, 210, 211–12, 213, 217, 243n Mommie Dearest (1981) 197 The Money Trap (1966) 68 Moore, Liz 164–5 Morgue, Olivier 138 Morley, David 180 Morris, Aubrey 168, 169 Morris, Oswald 101–2 Morris, Wayne 83, ...

  • On Kubrick
    By James Naremore

    He disliked the script, which he described to Michel Ciment as 'dumb' and 'rarely faithful to what is known about Spartacus', who had twice led his victorious army to the borders of Italy and could have easily escaped: 'What the reasons ...

  • On Kubrick: Revised Edition
    By James Naremore

    Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.

  • On Kubrick
    By James Naremore

    The book offers provocative analysis of each of Kubrick's films, together with new information about their production histories and cultural contexts.

  • On Kubrick: Revised Edition
    By James Naremore

    Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.

  • On Kubrick: Revised Edition
    By James Naremore

    Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.

  • On Kubrick: Revised Edition
    By James Naremore

    Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.