Todd Haynes's 2002 film Far From Heaven has been hailed as a homage to 1950s Hollywood melodrama, although anyone tempted to take the film at face value should be warned that it aims to subvert as much as celebrate that genre. Impeccably constructed, with a care for detail unknown in films from the era, it sets out to make key themes from the genre – romance across racial barriers and class lines, and perhaps the period's greatest taboo, romance between members of the same sex – utterly explicit, when half a century ago those themes had to be encoded in allusion and metaphor. Haynes took as his main source Douglas Sirk's 1955 classic, All That Heaven Allows, although Far From Heaven also references Rainer Werner Fassbinder's bleak portrayal of inter-racial love, Fear Eats the Soul (1974). In the context of Haynes's background in the New Queer Cinema movement, with films such as Superstar, Poison and [safe], this admixture makes Far From Heaven a rather more complex film than just another well-dressed period pastiche. John Gill provides a revealing insight into how Haynes confronts issues of race, sexuality and class in a suburban 1950s American neighbourhood. Haynes has been evasive when pressed for a definitive explanation of his film, although as Gill contends, he has left enough evidence lying around on screen for the keen viewer to pick up on numerous disturbing strands at work beneath the glossy surface of this sumptuously presented weepie. While it may affect to pass as a classic of the genre, Haynes's ultimate aim, Gill contends, is to undermine the nature and notion of cinema and storytelling.
Mrs. Leacock: I do apologize, Mrs. Whitaker, but candid views are always the best. Cathy: Darling, this is Mrs. Leacock, the lady I told you about, from the Weekly Gazette. Frank: Ah, yes. The fine lady who wants to air all our dirty ...
Mrs. Leacock : I do apologize , Mrs. Whitaker , but candid views are always the best . Cathy : Darling , this is Mrs. Leacock , the lady I told you about , from the Weekly Gazette . Frank : Ah , yes . The fine lady who wants to air all ...
Dyer, Richard (1990), Now You See It: Studies on Lesbian and Gay Film, London: Routledge. Dyer, Richard (1991), 'Believing in Fairies: The Author and The Homosexual' in Diana Fuss (ed.), Inside/Out: Lesbian Theories, Gay Theories, ...
At first he had kept it covered with a bandage, from which blood-tinged tears had stained a track down into his beard. Then these had dried, and the bandage had come off. The lid, which the arrow had pierced on its way in, was puckered ...
Story of the Tafoya clan, a Chicano family with a flair for misadventure. The Tafoyas include a physician philosopher, a radical daughter with a degree from Bryn Mawr, a clumsy,...
A young Korean girl and her family find it difficult to learn English and adjust to life in America.
In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nomainated 'Far From Heaven.
This book is like the Tardis, larger inside than out, with a range of ideas, characters, and fascinating future settings making it probably the best science fiction novel of the year." —The Guardian For more from Tade Thompson, check out: ...
Filled with tragedy and joy, with terror and hope, it solidifies Dean Koontz’s reputation as one of the foremost storytellers of our time. This is Dean Koontz at his very best—and it doesn’t get any better than that.
This book is a lovely way to provide children with some comfort and reassurance that our loved ones are always with us, just in a different way.