A year after Richard Prince's Untitled (cowboy) photograph set a record for the most expensive photograph ever sold at auction, a study of a work from Richard Prince's series of Untitled (couples) considers the long history of the image and Prince as a pioneer of the approproated image.
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the image through photography--rephotographed reproduced photographs--after the impasses of conceptualism. Newman examines the relation of Prince's work to images appearing in illustrated magazines, advertising, and television during the artist's formative years and argues that the vintage TV series The Twilight Zone is crucial to understanding Prince's use of images in his work. He considers Prince's strategy of rephotographing photographs and looks at the theoretical, cultural, and critical implications of that practice. Drawing on previously unpublished material from a discussion he had with Prince in the early 1980s, Newman places Untitled (couple) within the context of Prince's writings and his other work including the famous Untitled (cowboy) series (rephotographed images of the iconic Marlboro man) and its expression of the role of fantasy in advertising. During the 1960s, structuralism recast the image as text; Prince's work, Newman argues, revived the image in such a way that it is irreducible to text. Richard Prince is an artist based in New York known as a critic of and commentator on American consumer culture, including movies, advertisements, cartoons, and popular jokes.
Recent essays by Richard Prince; reprints of historical texts by Eve Babitz, Joan Didion, and Kim Gordon; and a new essay by Rachel Kushner. Exhibition: Gagosian West 24th Street, New York, USA (01.11-19.12.2018).
There are no smoking cowboys swinging their lassoes or bare-breasted blondes on heavy motorcycles in this droll collection of highly expressive drawings and watercolors. Au contraire, the inventive shapes and...
Richard Prince, the originator of re-photography and a leading proponent of postmodernism, is noted for his appropriations of mass cultural images as a means of questioning assumptions about representation and...
Richard Prince: Check Paintings
Perfectly beautiful yet strangely faceless, hundreds of interchangeable fashion models and bare-breasted biker chicks find themselves reincarnated in the artwork of Richard Prince. Prince recycles these American (male) pop culture...
"A distinction [Prince's] work brings out in particular is between pictures & what you do with pictures, between art & how art is used."-Stuart Morgan, Artscribe
Tiré du site Internet d'Amazon.com: "Prince has pioneered appropriation since the mid-1970s, mining images from mass media, advertising, and entertainment to subvert and redefine concepts of authorship and ownership.The New Portraits ...
Ilse Zhalina is the daughter of one of Melnek’s more prominent merchants. She has lived most of her life surrounded by the trappings of wealth and privilege. Many would consider...
Considered to be a refined and sophisticated artist, Richard Prince has been working intensely over the last two years on his own prticular intellectural assimilation of Picaso, producing an enigmatic succession of canvases and collages ...
After opening in New York, the 1953 GM Motorama went to several major cities across the country, including Miami, Chicago, and Los Angeles. By the time it reached San Francisco at the end of April, more than a million people had seen ...