Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.
Discussing the film The Thin Blue Line (1988) by Errol Morris, he points out that the way in which the filmmaker operates can have an impact on events. Two Dallas police officers stopped a car back in November 1976 and one of the ...
It seeks to provide an overview of existing work on law and film. The essays cover the portrayal of the Anglo-American legal system in film. The volume includes work on the history and development of this screen coverage.
Suzanne Bouclin convincingly argues that popular depictions of women’s prisons can illuminate multiple forms of marginalization and oppression experienced by women in conflict with the law.
From Edison and the dawn of motion pictures, to the Transformers and the big-business movie industry today, this book has a fascinating selection of the best cases involving the legal side of the movies.
This is a collection of essays which explores the ways in which law interacts with and is represented in popular culture. In common with earlier volumes in the Current Legal...
This book uses film and television as a resource for addressing the social and legal ills of the city.
Law on the Screen
I Moral dilemmas of the lawyers — Cavanaugh in the rape case tears Some of the issues in the L.A. Law pilot involve serious moral dilemmas , but the lawyers ' conduct does not violate the rules of legal ethics . For example , Cavanaugh ...
This book is the perfect resource for burgeoning film artists with an idea, in need of a guide to get them through inception.
In examining multiple aspects of law in film, Black sustains a focus on the central importance of narrative while also unearthing the influences--pleasure in film, power in law--that lie beyond the narrative realm.