Film and the Law is concerned with the phenomena of films about law, lawyers and justice. These have a long and distinguished history ranging from the classic Young Mr Lincoln in 1939 to the contemporary Erin Brockovich. The book examines the major theoretical perspectives within which 20th century work on law and film has appeared and analyses the problem of how law films can be classified. It provides a critical review of the work produced to date before proceeding to analyse the general features and ideology of law films. Apart from reviewing the way law and lawyers are portrayed in film generally, the book covers areas such as the use of true stories as the basis for film, the limited portrayals of judges and juries and the role of what we have termed invisible lawyers. In addition, the influence of film noir and particularly private eyes is examined along with an analysis of the Film and the Law concludes by examining future developments for film and the law and how its future terrain might be mapped.
Discussing the film The Thin Blue Line (1988) by Errol Morris, he points out that the way in which the filmmaker operates can have an impact on events. Two Dallas police officers stopped a car back in November 1976 and one of the ...
It seeks to provide an overview of existing work on law and film. The essays cover the portrayal of the Anglo-American legal system in film. The volume includes work on the history and development of this screen coverage.
Suzanne Bouclin convincingly argues that popular depictions of women’s prisons can illuminate multiple forms of marginalization and oppression experienced by women in conflict with the law.
This book uses film and television as a resource for addressing the social and legal ills of the city.
This is a collection of essays which explores the ways in which law interacts with and is represented in popular culture. In common with earlier volumes in the Current Legal...
From Edison and the dawn of motion pictures, to the Transformers and the big-business movie industry today, this book has a fascinating selection of the best cases involving the legal side of the movies.
I Moral dilemmas of the lawyers — Cavanaugh in the rape case tears Some of the issues in the L.A. Law pilot involve serious moral dilemmas , but the lawyers ' conduct does not violate the rules of legal ethics . For example , Cavanaugh ...
In Framed, she outlines a dignity-oriented, honor-sensitive feminist approach to law and film.
This book is the perfect resource for burgeoning film artists with an idea, in need of a guide to get them through inception.
In examining multiple aspects of law in film, Black sustains a focus on the central importance of narrative while also unearthing the influences--pleasure in film, power in law--that lie beyond the narrative realm.