For art historians who thus believed they had discovered the " historical Mathis , ” Grünewald / Gothardt - Nithart was ... Thus , while his contemporaries attempted to restore a lost personality with the aid of documentation about a ...
Although Scheja and most others seem to presume that the work ” begins and ends with the paintings of Grünewald , this presumption would have been foreign to both Grünewald and his contemporaries , who , the evidence suggests , regarded ...
Benjamin, it seems, set his esteem for the panels against the usual praise for Grünewald among his contemporaries, from Expressionist painters to the art historian Wölfflin, for whom Grünewald exemplified the art of expression ...
This wide-ranging and informative survey of 'outsider' groups in the Roman Empire will contribute greatly to our understanding of Roman social history.
... focus on the paintings of Matthias Grünewald from the late sixteenth century and Hans von Marées from the late nineteenth century – are singled out, it will be argued, because of a relationship to the contemporary movement of German ...
Now, according to art historian Andrew Graham‐Dixon in the BBC documentary, Grünewald, and his contemporary Albrecht Dürer, lived in the time between the end of the mediaeval period and the German Renaissance period, a time when most ...
The greatest painter of Germany, and he really com- -- compete with his contemporaries Michelangelo, and Raphael in Italy was Grünewald, Matthias Grünewald, who has painted the famous altar of Isenheim, near Colmar in the Alsace.
Lawrence S. Cunningham, John J. Reich, Lois Fichner-Rathus. ▽ 13.3 Leonardo da Vinci, The Last Supper, ... Her left hand might have reached her son were it not for the hand of an angel that interrupts the contact with a pointed finger.
But then the Landgravine Amalie Elisabeth of Hesse-Kassel, the regent for her minor son, rallied her troops and through arms and diplomacy handed an enlarged territory to her son when he gained his majority in 1650.
Most recently : The Sticky Sublime , edited by Bill Beckley ( New York : Allworth , 2001 ) . Most interestingly : Dave Hickey , The Invisible Dragon : Four Essays on Beauty ( Los Angeles : Art Issues Press , 1993 ) . 3.