The 21st century is a new era for interfaith dialogue. Leaders of many of the world's faiths have begun, often for the first time, to sit down together and consider the possibilities for cooperation and dialogue between the practitioners of their religions. While in the past such encounters might have been stiff affairs contrived to generate a politically expedient photo-op, what is remarkable today is the depth of relationships being formed across historically deep divides. Acclaimed artist Nicola Green has had a front row seat to many of these encounters, spending years accompanying former Archbishop of Canterbury Rowan Williams in meetings with religious leaders across the world. In her wide-ranging project Only through Others, Green presents photographs and paintings inspired by Dr. Williams' intimate conversations with figures including Pope Emeritus Benedict XVI, the Dalai Lama, the Grand Mufti of Egypt, and former British Chief Rabbi Jonathan Sacks. Green's works-resulting from unprecedented access yielding thousands of photographs, drawings, and pages of notes-provide a dynamic lens for the authors in this book to analyze what makes for productive and lasting interfaith dialogue. By paying attention to neglected factors in such encounters, from the set up of physical spaces to bodily gestures and even the clothing of participants, this book provides a truly embodied perspective on interfaith dialogue. It refuses to see theology in a vacuum, placing faith fully within the context of visual, material, and sensory culture.
Aufl., München 2003 [12001] Vollmer, Wörterbuch der Mythologie aller Völker, Neu bearb. v. W. Binder, Mit einer Einleitung in die mythololgische Wissenschaft v. Johannes Minckwitz, 3.Aufl., Stuttgart 1874, (fotomechanischer Nachdruck, ...
Цивилизации: образы людей и богов в искусстве от древнего мира до наших дней
All the essays that comprise this work were written by students of Robin Cormack. They focus upon Byzantine icons and images but consider these artefacts in a way that will promote a very different approach to the study of Byzantine art.
< ' Vulcan Presenting Venus with Arms for Aeneas ' by François Boucher , 1757. The god of fire and metalworking comes under the spell of the goddess of love . In this swirl of doves and cherubs , Boucher panders to the bourgeois desire ...
本书脱胎于玛丽·比尔德应英国广播公司邀约撰写的纪录片Civilisations第二集和第四集的内容.这个纪录片项目着重挑战了之前文化界对"单一的西方文明"的推崇, ...
The Poetics of Faith: Essays Offered to Amos Niven Wilder
Stephen N. Fliegel, “The Art of War: Thirteenth-Century Arms and Armor,” in Book of Kings, 82–97; M.C. Gaposchkin, ... Kupfer discovers a similar punning interaction in the Hereford Map: Art and Optics, 82–86, 157–67 et passim.
Y porque el verde de la naturaleza sucede al blanco letal de los largos inviernos , aquél pasó a simbolizar asimismo la esperanza . Estas consideraciones naturalmente no agotan las asociaciones de los distintos colores y , por otra ...
Explores the profound implications of human creativity in the image of God, along with the process of becoming an artist dedicated to practicing art from the context of a deep relationship with God.
... aber trotzdem spielten die „gemeinschaftliche Funktion der Kunst so wie ihr Verhältnis zur Religion“ im Doktor Faustus eine wichtige Rolle.1029 Auch Klugkists Sehnsuchtskosmogonien wollen Aufschluss über Thomas Manns Poetik und ...