This book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders but also the frequently censorious attitude of those in authority with boxings social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of Britishness. Varying in scope from Northern circuit comedies to London-based ladsploitation films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry Stephen Glynn lectures in Film and Television at De Montfort University, UK. This volume completes a trilogy of sports genre studies for Palgrave, following on from The British Football Film (2018) and The British Horseracing Film (2019).
Many books have discussed boxing in the ancient world, but this is the first to describe how boxing was reborn in the modern world.
The book draws on contemporary sources, such as trade-paper film reviews, as well as modern academic criticism, to build a highly readable account of the development of the boxing genre and its narrative conventions.
Counterpointing the essays on historical figures are interviews with contemporaries including the director Amma Asante, the writer and filmmaker Julian Fellowes, artist and director Isaac Julien, novelist and screenwriter Hanif Kureishi, ...
Film Dope, 11. Cavallini, R. (2007). Play up Corinth: A History of the Corinthian Football Club. Stroud: Stadia. Chibnall, S. (2007). Quota Quickies: The Birth of the British 'B' Film. London: BFI. Glanville, B. (1965, July).
After covering the genre's early history and theorizing its general characteristics, this volume then focuses on specific instances of sports films, such as the biopic, the sports history film, the documentary, the fan film, the boxing film ...
... British Films, 1908–1918 (Exeter: University of Exeter Press, 2003), pp. 66–70. Exclusive territorial systems of film distribution had previously been employed occasionally in Britain for the exploitation of important boxing films. For ...
Comprehensive, authoritative and accessible, this book is an important addition to the literature in both film and media studies, sport studies and cultural studies more generally.
See Kevin Macdonald, Emeric Pressburger: The Life and Death of a Screenwriter; Pressburger's mother perished at Auschwitz. 3. Emeric Pressburger, Killing a Mouse on Sunday (London: Collins, 1961), pp. 9–10. Pressburger's novel was later ...
Joe. Louis,. Surrounded. by. Films. Martin Luther King Jr.'s classic civil rights treatise Why We Can't Wait (1964) includes a story about a young Black convict in the 1930s American South ... Instead, he bellowed “Save me, Joe Louis!
Test pilot Valentine Neal (Paul Carpenter) is left with recurring breathing difficulties after ejecting from an aircraft and his symptoms are diagnosed as psychosomatic. He arranges to stay with retired psychiatrist Francis Pelham ...