Weird Fiction: A Genre Study presents a comprehensive, contemporary analysis of the genre of weird fiction by identifying the concepts that influence and produce it. Focusing on the sources of narrative content—how the content is produced and what makes something weird—Michael Cisco engages with theories from Deleuze and Guattari to explain how genres work and to understand the relationship between identity and the ordinary. Cisco also uses these theories to examine the supernatural not merely as a horde of tropes, but as a recognition of the infinity of experience in defiance of limiting norms. The book also traces the sociopolitical implications of weird fiction, studying the differentiation of major and minor literatures. Through an articulated theoretical model and close textual analysis, readers will learn not only what weird fiction is, but how and why it is produced.
Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.
The city is gripped by an alien terror. The fate of millions lies with a clutch of renegades. A reckoning is due at the city’s heart, in the vast edifice of brick and wood and steel under the vaults of Perdido Street Station.
A contrasting view is taken by Malcolm Bradbury and Ian Fetcher who, writing in 1978, argue that the 'commitment to fluidity, that aversion to the canonical, dominant in the [fin-de-siècle] period [...] invites analysis [... and .
Collected here are 13 of the best short stories published in Weird Tales' first year of publication, 1923 -- classics by many who would later play an integral part in the Unique Magazine, such as H.P. Lovecraft, Frank Owen, and Farnsworth ...
84 Silence's superior abilities may be down to his training, but he also values intuition, and surrounds himself with servants and staff who possess it (including Hubbard in “The Nemesis of Fire” and “The Camp of the Dog,” and Barker in ...
Howard Phillips Lovecraft, 'The Colour Out of Space', in Joyce Carol Oates (ed.), Tales of H. P. Lovecraft (Hopewell: The Ecco Press, 1996), p. 78. Further references will be given parenthetically in the main text.
Mike Ashley and Robert A. W. Lowndes, The Gernsback Days (Holicong, PA: Wildside Press, 2004), 175. 61. Smith, letter to Lovecraft, c. mid-September 1930, SL, 119. 62. Smith, letter to Wandrei, November 10, 1932, SL, 195–96. 63.
An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city--from one of America's most acclaimed young fantasy writers.
A little while later, when we said goodnight, Thumper gave me a big, sweet hug. Almost as if to say she knew where I'd just been. "You're alright Johnny," she said for the second time that night. “Don't worry so much.
In The Hike, Magary takes readers on a daring odyssey away from our day-to-day grind and transports them into an enthralling world propelled by heart, imagination, and survival.