This book offers a new critical perspective on the weird that combines two ways of looking at weird and cosmic horror. On the one hand, critics have considered weird fiction in relation to aesthetics – the emotional effects and literary form of the weird. On the other hand, recent scholarship has also emphasised the potential philosophical underpinnings and implications of weird fiction, especially in relation to burgeoning philosophical movements such as new materialism and speculative realism. This study bridges the gap between these two approaches, considering the weird from its early outgrowth from the Gothic through to Lovecraft’s stories – a ‘weird century’ from 1832–1937. Combining recent speculative philosophy and affect theory, it argues that weird fiction harnesses the affective power of disgust to provoke a re-examination of subjectival boundaries and the complex entanglement of the human and nonhuman.
... Lovecraft states, “There are many reasons why moderns can never surpass Epicurus, among them racial inferiority. ... character disposed to the finer feelings, and an extraordinary apathy constitutes the mark of this type of race.
This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture.
In those stories in which the weird menace looks back on the mundane world from its own point of view, both viewpoints may be present—this depends on just how developed the alien viewpoint is. Most weird fiction is not as formally ...
R. Murray Gilchrist was lauded for his imagination and florid, illustrative style during the fin-de-siecle period, and this new collection showcases the very best of his short fiction.
In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and ...
33–52, 60–87; Dirk Visser, 'Countering the Plague: AIDS Theatre as a Site of Memory', in Aimee Pozorski, Jennifer J. Lavoie and Christine J. Cynn (eds), Literary and Visual Representations of HIV/AIDS: Forty Years Later (Lanham, ...
With his mouth he stung, then soothed her: hers was the most perfect, ambrosial flesh in the world; and in its possession—he understood, in a late-coming moment of enlightenment—his own flesh felt unspoilt, sound, scatheless; ...
This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity.
The Boy Who Kicked Pigs. London: Faber and Faber. Bakhtin, Mikhail. 1984. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington: Indiana University Press. Baldick, Chris, ed. 1992. The Oxford Book of Gothic Tales.
This book will provide the first study of how the Gothic engages with ecocritical ideas.