Why Have There Been No Great Women Artists? asked art historian Linda Nochlin in an intentionally provocative 1971 essay. Thirty-five years later, her insightful institutional critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the strides made by women artists since the advent of the feminist movement and assess the changes that have occurred in their critical reception, commercial appeal, and institutional support. Following a comprehensive essay which looks back at the recent history of women artists, the authors examine in depth the careers of an international selection of artists - Marina Abramovic, Louise Bourgeois, Ellen Gallagher, Ann Hamilton, Jenny Holzer, Elizabeth Murray, Shirin Neshat, Judy Pfaff, Dana Schutz, Cindy Sherman, Kiki Smith, and Nancy Spero - and each artist's accomplishments and her influence on contemporaries and on younger men and women artists. A preface by Nochlin reconsiders her provocative question and an introduction with extensive statistical documentation of how women artists' situation has changed, frame this compelling and fascinating work.
After the revolution
THE STORY: The brilliant, promising Emma Joseph proudly carries the torch of her family's Marxist tradition, devoting her life to the memory of her blacklisted grandfather.
Recounts the years following the American Revolution and the important events and problems that Americans faced in their newfound independence.
An entrepreneur, a writer who wanted to depict an ideal society, a dramatist who tried to reconcile high aesthetic standards and populism, and a Connecticut Yankee who ran into the contradictions of conservatism and liberalism—each of the ...
This unique volume combines historical and legal analyses of hybrid tribunals, discusses the successes and shortfalls of tribunals in Sierra Leone, Kosovo, Cambodia, East Timor and Lebanon, and offers recommendations for future hybrid ...
But, in this new study and collection of Lenin’s original texts, Slavoj Žižek argues that his true greatness can be better grasped in the last two years of his political life.
Mexican elites' understanding of France as a united single people reflected the claims of the French state but contrasted ... Popular Art of Mexico; Monzón Estrada, Artes y artesanías de Guerrero; Oettinger, Folk Treasures of México; ...
The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today's struggles for justice and equality not only from the...
This book will be of interest to art historians, students of political and military history, and all those fascinated by Napoleon."--BOOK JACKET.
Julia Gaffield, however, anchors a fresh vision of Haiti's first tentative years of independence to its relationships with other nations and empires and reveals the surprising limits of the country's supposed isolation.