This book is an interdisciplinary work that weaves literary interpretation, legal theory, and philosophical doctrine about sex and love into a coherent mosaic in the context of two of Shakespeare's plays: The Merchant of Venice and Measure for Measure. In the process, the work advances literary interpretations of the plays including character studies of some of the main protagonists. The aim is partly theoretical but mostly practical: to demonstrate what we can learn about living a robustly meaningful and significant human life by taking Shakespeare's work seriously from contemporary philosophical and legal vantage points. Shakespeare does not reveal a tightly defined moral system that he is trying to urge upon his audience. Instead, Shakespeare challenges his audience to struggle with moral complexity as they confront conflicting elements surrounding legal and moral issues presented in his work and within the souls of his characters. His issues and their conflicts are also ours. Much of Shakespeare's work consists of raising weighty questions inextricably connected to the human condition and inviting his audience to ponder possible answers. The philosophical lessons about living our lives meaningfully and significantly that we can derive from Shakespeare are simple yet powerful.
In his brilliant commentary, McGinn explores Shakespeare's philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing.
The Routledge Companion to Shakespeare and Philosophy is the first major guide and reference source to Shakespeare and philosophy.
In his brilliant commentary, McGinn explores Shakespeare's philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing.
This volume assembles for the first time writings from the past two hundred years by philosophers engaging the dramatic work of William Shakespeare.
Shakespeare continues to articulate the central problems of our intellectual inheritance. The plays of a Renaissance playwright still seem to be fundamental to our understanding and experience of modernity.
Time was out of joint , and he did not notice it before he himself became its victim , before his fate became irreversible . But after he once missed the moment ( kairos ) , his life is no longer measured by historical time alone .
Everson, S., ed.1998. Ethics. Cambridge Companions to Ancient Thought. ... Ed. David S. Ferris. Stanford: Stanford University Press. Fenves, Peter. 2001. ... Finley, Moses I.1963. The Ancient Greeks; An Introductionto TheirLife and ...
William Shakespeare's Sonnet Philosophy Volume 4 explains how Darwin's biology, Wittgenstein's philosophy, Mallarmé's poetry and Duchamp's art each provide a component Shakespeare's philosophy overarches.
Lelord, G., Comment agissent les images en physiologie, in Spectacle & Image in Renaissance Europe, ... Marrapodi, Michele and Hoenselaars, A. J., (eds), The Italian World of English Renaissance Drama: Cultural Exchange and ...
... Abhomination of Theaters in the Time Present: both Expresly Prouing that that Common-weale Is Nigh vnto the Cursse of God, wherein either Plaiers Be Made of, or Theaters Maintained. Set forth by Anglo-phile Eutheo (London: Denham, ...