This book is an interdisciplinary work that weaves literary interpretation, legal theory, and philosophical doctrine about sex and love into a coherent mosaic in the context of two of Shakespeare’s plays: The Merchant of Venice and Measure for Measure. In the process, the work advances literary interpretations of the plays including character studies of some of the main protagonists. The aim is partly theoretical but mostly practical: to demonstrate what we can learn about living a robustly meaningful and significant human life by taking Shakespeare’s work seriously from contemporary philosophical and legal vantage points. Shakespeare does not reveal a tightly defined moral system that he is trying to urge upon his audience. Instead, Shakespeare challenges his audience to struggle with moral complexity as they confront conflicting elements surrounding legal and moral issues presented in his work and within the souls of his characters. His issues and their conflicts are also ours. Much of Shakespeare’s work consists of raising weighty questions inextricably connected to the human condition and inviting his audience to ponder possible answers. The philosophical lessons about living our lives meaningfully and significantly that we can derive from Shakespeare are simple yet powerful.
The Routledge Companion to Philosophy and Shakespeare is essential reading for students of aesthetics, philosophy of literature and ethics as well as those in Shakespeare-related fields such as literature and theatre and drama studies.
In his brilliant commentary, McGinn explores Shakespeare's philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing.
Touching on the work of philosophers including Richardson, Kant, Hume, Wittgenstein, Nietzsche, and Dewey, this study examines the history of what philosophers have had to say about "Shakespeare" as a subject of philosophy, from the ...
This volume assembles for the first time writings from the past two hundred years by philosophers engaging the dramatic work of William Shakespeare.
Time was out of joint , and he did not notice it before he himself became its victim , before his fate became irreversible . But after he once missed the moment ( kairos ) , his life is no longer measured by historical time alone .
This book assembles a team of leading literary scholars and philosophers to probe philosophical questions that assert themselves in Shakespeare's Hamlet, including issues about subjectivity, knowledge, sex, grief, and self-theatricalization ...
9 Eusterschulte, Analogia entis seu mentis, 15. 10 Maclean, Logic, Signs and Nature in the Renaissance, Chapter 8, The Doctrine of Signs, 276–332. 11 Bruno, Lo Spaccio de la bestia trionfante, 235–6. 12 Orgel, Spectacular Performances, ...
This book makes a substantial contribution to the fields of Shakespeare, Renaissance humanism, Critical Theory, and Literature and Philosophy.
Edited by John T. McNeill. Translated by Ford Lewis Battles. Philadelphia: John Knox Westminster Press, 1960. Cantor, Paul A. Shakespeare's Roman Trilogy: Twilight of the Ancient World (Chicago and London: University of Chicago Press, ...
Contextualising Derrida's readings of Shakespeare's Romeo and Juliet, Hamlet, The Merchant of Venice and King Lear within his wider philosophical project, Alfano explores what draws Derrida to Shakespeare and what makes him particularly ...