The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Hewlett, Nick, The Sarkozy Phenomenon (Exeter: Imprint Academic, 2011). Hill, Sarah Patricia and Giuliana Minghelli, eds, Stillness in Motion: Italy, Photography and the Meanings of Modernity (Toronto: University of Toronto Press, ...
This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media.
... Photographic Reproduction and the Art Museum,” in Museum Media, ed. Michelle Henning (Chichester: Wiley-Blackwell, 2015), 577–602; Alexandra Moschovi, A Gust of Photo-Philia: Photography in the Art Museum (Leuven University Press, 2020) ...
DOI: 10.4324/9781315686943-23 Shi ing notions of curatorial expertise have inspired many new and deep kinds of ... and the Times Museum show, the educational turn can no longer be reduced to binary terms of curator versus educator.
The Athens Effect: Photographic Images in Contemporary Art
... its quotations of silent film to ridicule the lack of sound of its mute forefather. Something similar happens with the ... The Cinema Dreams Its Rivals: Media Fantasy Films from Radio to the Internet (University of Minnesota Press, 2006) ...
Igor E. Klyukanov also shows how each transformation can be best discussed in terms of certain theories of communication. Thus, the book is dedicated to both ontological and epistemological issues of communication.
"Recover the stories of long-overlooked American women who, at a time when women rarely worked outside the home, became commercial photographers and shaped the new, challenging medium.
These essays, published here as a collection in English for the first time, were written over roughly a half century and reflect both an eclectic array of interests and a durable commitment to phenomenological thought.
Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world_s leading social ...