These seven chapters, originally given as lectures honoring the fiftieth anniversary of Dumbarton Oaks, cover a wide range of topics, from the relationship of Byzantium with its Islamic, Slavic, and Western European neighbors to the modern reception of Byzantine art.
It has been suggested that Patriarch Nicholas Mysticos set up the mosaic in 920 as a record of the subjection of the earthly ruler to Christ and the Church. The background issue needs clarification and concerns canon law on marriage.
The Glory of Byzantium
This volume publishes twelve papers that were delivered at an academic symposium held at The Metropolitan Museum of Art, New York, on April 16-18, 2004, in conjunction with the exhibition, "Byzantium: Faith and Power (1261-1557)" (held at ...
21-24 ) . To understand the design properly we should apply the principle that has been used successfully in other aulic ... 125 , 1964 , p . 110 . 3 Musil , Kuşejr ' Amra , vol . 2 , pls . 8 , 15 . 4 Hamilton , Khirbat al Mafjar , pp .
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century.
This new volume expands upon the subject, bringing together eleven papers by internationally distinguished scholars delivered in symposia and Scholars' Days during the exhibition, with a new introduction by Helen C. Evans.
"It is clear that Renaissance artists and their patrons were interested in Ravenna's buildings and their decorations, both before Vasari's negative pronouncements and after them.
... tuin te planten . ' s Morgens zijn ze echter diep vastgeworteld en moet David de muur tot voorbij de scheuten uitbreiden . Kort ... de monastieke ( cisterciënzer ? ) toewijding aan God . 55. Fol . 199 ; R. GEEN , o.c. , 2 , p . 325 . 56 ...
A Closer Look: a Masterwork of Byzantine Art: The David Plates: the Story of David and Goliath