This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade{u2014}embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published{u2014} highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.
It has been suggested that Patriarch Nicholas Mysticos set up the mosaic in 920 as a record of the subjection of the earthly ruler to Christ and the Church. The background issue needs clarification and concerns canon law on marriage.
The Glory of Byzantium
This volume publishes twelve papers that were delivered at an academic symposium held at The Metropolitan Museum of Art, New York, on April 16-18, 2004, in conjunction with the exhibition, "Byzantium: Faith and Power (1261-1557)" (held at ...
Angeliki E. Láiou, Angelikē E. Laïu-Thōmadakē, Angeliki E. Laiou, Henry Maguire, Dumbarton Oaks Professor of Byzantine History Angeliki E Laiou, Dumbarton Oaks. ture , remolding and reinterpreting this heritage within its own society .
21-24 ) . To understand the design properly we should apply the principle that has been used successfully in other aulic ... 125 , 1964 , p . 110 . 3 Musil , Kuşejr ' Amra , vol . 2 , pls . 8 , 15 . 4 Hamilton , Khirbat al Mafjar , pp .
This new volume expands upon the subject, bringing together eleven papers by internationally distinguished scholars delivered in symposia and Scholars' Days during the exhibition, with a new introduction by Helen C. Evans.
"It is clear that Renaissance artists and their patrons were interested in Ravenna's buildings and their decorations, both before Vasari's negative pronouncements and after them.
... tuin te planten . ' s Morgens zijn ze echter diep vastgeworteld en moet David de muur tot voorbij de scheuten uitbreiden . Kort ... de monastieke ( cisterciënzer ? ) toewijding aan God . 55. Fol . 199 ; R. GEEN , o.c. , 2 , p . 325 . 56 ...
A Closer Look: a Masterwork of Byzantine Art: The David Plates: the Story of David and Goliath