In 2012 the Metropolitan Museum of Art presented 'Byzantium and Islam: Age of Transition', a groundbreaking exhibition that explored the transformations and continuities in the Byzantine Empire from the 7th to the 9th century. During this time of historic upheaval, Christian and Jewish communities encountered the world of Islam, resulting in unprecedented cross-cultural exchange. The catalogue for 'Byzantium and Islam' received the 2014 World Book Award as the best new book on Islamic studies, presented by the Islamic Republic of Iran’s Ministry of Culture and Religious Guidance. This new volume expands upon the subject, bringing together eleven papers by internationally distinguished scholars delivered in symposia and Scholars' Days during the exhibition, with a new introduction by Helen C. Evans. These writings provide new information about the impact of Byzantine culture, both Christian and Jewish, during the development and early years of Islamic rule in the eastern Mediterranean and across North Africa, and reconsider traditional concepts about the origin of Islamic art.
It has been suggested that Patriarch Nicholas Mysticos set up the mosaic in 920 as a record of the subjection of the earthly ruler to Christ and the Church. The background issue needs clarification and concerns canon law on marriage.
The Glory of Byzantium
This volume publishes twelve papers that were delivered at an academic symposium held at The Metropolitan Museum of Art, New York, on April 16-18, 2004, in conjunction with the exhibition, "Byzantium: Faith and Power (1261-1557)" (held at ...
Angeliki E. Láiou, Angelikē E. Laïu-Thōmadakē, Angeliki E. Laiou, Henry Maguire, Dumbarton Oaks Professor of Byzantine History Angeliki E Laiou, Dumbarton Oaks. ture , remolding and reinterpreting this heritage within its own society .
21-24 ) . To understand the design properly we should apply the principle that has been used successfully in other aulic ... 125 , 1964 , p . 110 . 3 Musil , Kuşejr ' Amra , vol . 2 , pls . 8 , 15 . 4 Hamilton , Khirbat al Mafjar , pp .
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century.
"It is clear that Renaissance artists and their patrons were interested in Ravenna's buildings and their decorations, both before Vasari's negative pronouncements and after them.
... tuin te planten . ' s Morgens zijn ze echter diep vastgeworteld en moet David de muur tot voorbij de scheuten uitbreiden . Kort ... de monastieke ( cisterciënzer ? ) toewijding aan God . 55. Fol . 199 ; R. GEEN , o.c. , 2 , p . 325 . 56 ...
A Closer Look: a Masterwork of Byzantine Art: The David Plates: the Story of David and Goliath