Questioning a literary history that, since Ian Watt's Rise of the Novel, has privileged the courtship plot, Kelly Hager proposes an equally powerful but overlooked narrative focusing on the failed marriage. Hager maps the legal history of marriage and divorce, providing crucial background as she reveals the prevalence of the failed-marriage plot in eighteenth- and nineteenth-century British novels. Dickens's novels emerge as representative case studies in their preoccupations with the disintegration of marriage, the far-reaching and disastrous effects of the doctrine of coverture, and the comic, spectacular, and monstrous possibilities afforded by the failed-marriage plot. Setting his narratives alongside the writings of liberal reformers like John Stuart Mill and the seemingly conservative agendas of Caroline Norton, Eliza Lynn Linton, and Sarah Stickney Ellis, Hager also offers a more contextualized account of the competing strands of the Woman Question. In the course of her revisionist readings of Dickens's novels, Hager uncovers a Dickens who is neither the conservative agent of the patriarchy nor a novelistic Jeremy Bentham, and reveals that tipping the marriage plot on its head forces us to adjust our understanding of the complexities of Victorian proto-feminism.
Their desire to update the Victorian novel also involves imagining the New Man : while Dixon evades the courtship plot ... depictions of nostalgic men at the late century, torn between desires for traditional marriage and masculinity on ...
... C Frank and M Anderson (eds) Teaching Law and Literature, (Modern Language Association, 2011), 126–35. 120See M Finn, 'Victorian Law, Literature and History: Three Ships Passing in the Night' (2002) 7 Journal of Victorian Culture ...
Hugh Craig and Arthur F. Kinney, Shakespeare, Computers, and the Mystery of Authorship (Cambridge: Cambridge University ... 'To UNKNOWN CORRESPONDENT, [1850–8 JUNE 1870]', The Charles Dickens Letters Project, accessed 20 August 2016, ...
Trans. Timothy Campbell. Stanford, CA: Stanford UP, 2010. Print. Faust, Joan. Andrew Marvell's Liminal Lyrics: The Space Between. U of Delaware P, 2012. Print. Gilead, Sarah. “Liminality, Anti-Liminality, and the Victorian Novel.
Shakespeare and Dickens: The Dynamics of Influence. ... 'Dickens's Comic Speech: Inventing the Self', Yearbook of English Studies 25: 128–140. Ginsburg, Michael Peled, 1987 ... Charles Dickens's Networks: Public Transport and the Novel.
The Pilgrim Edition: The Letters of Charles Dickens. Volume 5: 1847–1849. Oxford: Clarendon Press, 1977. Print. ———, Kathleen Tillotson and Nina Burgis, eds. The Pilgrim Edition: The Letters of Charles Dickens. Volume 6: 1850–1852.
'This is a marvellous, endlessly illuminating book .
Literature and Society in Imperial Russia 1800–1914, 151–172. Stanford: Stanford University Press, 1978. Brown, Sarah Annes. Devoted Sisters: Representations of the Sister Relationship in NineteenthCentury British and American ...
... concerned) a story which has a direct purpose in reference to the working people all over England, and it will cause, as I know by former experience, characters to be fitted on to individuals whom I never saw or heard of in my life.
... concerned) a story which has a direct purpose in reference to the working people all over England, and it will cause, as I know by former experience, characters to be fitted on to individuals whom I never saw or heard of in my life.