This volume engages critically with the recent and ongoing consolidation of "world literature" as a paradigm of study. On the basis of an extended, active, and ultimately more literary sense of what it means to institute world literature, it views processes of institutionalization not as limitations, but as challenges to understand how literature may simultaneously function as an enabling and exclusionary world of its own. It starts from the observation that literature is never simply a given, but is always performatively and materially instituted by translators, publishers, academies and academics, critics, and readers, as well as authors themselves. This volume therefore substantiates, refines, as well as interrogates current approaches to world literature, such as those developed by David Damrosch, Pascale Casanova, and Emily Apter. Sections focus on the poetics of writers themselves, market dynamics, postcolonial negotiations of discrete archives of literature, and translation, engaging a range of related disciplines. The chapters contribute to a fresh understanding of how singular literary works become inserted in transnational systems and, conversely, how transnational and institutional dimensions of literature are inflected in literary works. Focusing its methodological and theoretical inquiries on a broad archive of texts spanning the triangle Europe-Latin America-Africa, the volume unsettles North America as the self-evident vantage of recent world literature debates. Because of the volume’s focus on dialogues between world literature and fields such as postcolonial studies, translation studies, book history, and transnational studies, it will be of interest to scholars and students in a range of areas.
Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales.
From the current vantage point of the transformation of books and libraries, B. Venkat Mani presents a historical account of world literature.
Coverage is split into four parts which examine the origins and seminal formulations of world literature, world literature in the age of globalization, contemporary debates on world literature, and localized versions of world literature ...
Nick Clark and Clifford Coonan, “Ai Weiwei Brands Nobel Prize for Literature Decision an 'Insult to Humanity' as China's Mo Yan Named Winner,” Independent, October 11, 2012, ...
By bringing in different degrees of circulation in different regions and languages, this collection shows that while literary centers do exist in what Pascale Casanova calls "the international literary space," their power does not operate ...
The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life.
This is an exciting, and unsettling, time to be teaching world literature, writes David Damrosch. Because the range of works taught in world literature courses has expanded enormously, both historically...
Imagining the Age of Goethe in German Literature, 1970–2010. Camden House. Pollock, Sheldon. 2006. The Language of Gods in the World of Men: Sanskrit, Culture and Power in Pre-modern India. University of California Press.
——ed. (2007) The Arabian Nights in Transnational Perspective, Detroit: Wayne State University Press. Naddaff, S. (1991) Arabesque: narrative structure and the aesthetics of repetition in 1001 Nights, ...
By bringing in different degrees of circulation in different regions and languages, this collection shows that while literary centers do exist in what Pascale Casanova calls "the international literary space," their power does not operate ...